Name: Alessandro Preziosi
Birth place: Naples, Italy
Birth date: 19 april 1973
Languages: Italian, English
2003-2004: TV series Elisa di Rivombrosa as Fabrizio Ristori.
2007 film I Vicerè as principle character Consalvo
In 1894, Italian Writer Federico de Roberto (Napoli, 16 gennaio 1861 – Catania, 26 luglio 1927) wrote the novel I Vicerè.It was the story about Uzeda, a Sicilian princely family in 19th century Sicily faithful to the Bourbon kings, begins to lose its power, with the Unification of Italy in 1861 and the rise to power of Giuseppe Garibaldi and Vittorio Emanuele II, ). In 2007 Italian director Roberto Faenza adapted it into a historical film with the same title, and Alessandro Preziosi played the principle character Consalvo.
Name: lambert wilson
Birth place: Neuilly-sur-Seine,Paris, France
Birth date: 03 august 1958
zodiac sign: leo
Languages: French, English, Italian, Spanish
Occupation: actor, singer
height / taille / altezza / alto / Größe / 高さ / 高度: 1.9m
weight / poids / peso / Gewicht / 重量: 76-80kg
Il n'y a que l'amour qui m'intéresse dans la vie. Je place la sphère sentimentale bien avant la carrière ou les considérations matérielles, loin devant l'art. Chaque fois que je prends l'avion, j'imagine qu'une catastrophe survienne. Qu'emporterais-je des rives de la Terre? Le temps que j'ai passé à me consacrer à l'amour: ce serait mon trésor.¨
Biography of Lambert Wilson
Lambert Wilson was born on 3 August 1958 in Neuilly-sur-Seine, Paris. Both his father Georges Wilson and mother Nicole Wilson were both actors, so he grew up in the theatrical ambience.
Lamber Wilson`s early dream was to become an actor in US, as he was fascinated about Hollywood, and he wanted to be away from his father to prove he does not need his father to achieve success.
He went to England to study English and then went to America. It was a long struggling journey. He appeared in various American films, but none made him ``French Robert Redford ``, his idol, and some of the films he participated were never released.
And it was in France, his home country which he had tried to escaped from, that he finally achieved fame and commerical success.
chronicle of elegant characters:
2008: Commes les autres
title: comme des autres
director: Vincent Garenq
Emmanuel and Philippe are a loving gay couple, until when Emmanuel wants to have a child, and he decides to take the plunge altough Philippe does not and they seperate. And he has the child in an unusal way, breaking another heart.
2010: le comte de Chabannes
title: la princesse de montpensier
role: le comte de Chabannes
director: bertrand tavernier
Synopsis: (inspired by original story by madame de la fayette)
It's a love story romanticized between the Duke of Guise and Miss de Mézière, forced to marry the Prince of Montpensier.
Lino Guanciale (21 maggio 1979) è un attore italiano. Nasce in Abruzzo da padre medico e madre insegnante, la sua carriera d'attore inizia in teatro: diretto da Gigi Proietti recita in Romeo e Giulietta, spettacolo che inaugura il Silvano Toti Globe Theatre di Roma.
Nel 2009 debutta al cinema con Io, Don Giovanni di Carlos Saura, nei panni di Wolfgang Amadeus Mozart.
Nel 2011 esordisce anche in televisione con la fiction Il segreto dell'acqua, trasmessa su Rai 1.
Nonostante i lavori per il grande e il piccolo schermo, non abbandona comunque il teatro; fra il 2011 e il 2012 è uno dei protagonisti de La resistibile ascesa di Arturo Ui di Bertolt Brecht, per la regia di Claudio Longhi, premiato come miglior spettacolo dell'anno dall'Associazione Nazionale dei Critici Teatrali.
Lino Guanciale is an Italian actor. Born in Abruzzo, his career as an actor started in theatre in Romeo e Giulietta directed by Gigi Proietti.
In 2009, he debuted in cinema with film Io, Don Giovanni directed by Carlos Saura, playing Wolfgang Amadeus Mozart. And in 2011 he started his career on TV with the series Il segreto dell'acqua, on Italian channel Rai 1.
But while working on both small and big screen, Lino never gave up theatre.
2015 La Dama Veleta as Conte Guido Fossà
Louis Garrel, né le 14 juin 1983 à Paris, est un acteur et réalisateur français.
En 2006, il a reçu le César du meilleur espoir masculin pour Les Amants réguliers et fut nommé deux fois au César du meilleur acteur dans un second rôle.
Guardare un'opera d'arte che mi fa riflettere su qualcosa che sentivo dentro di me e non ero ancora riuscito ad articolare. A Parigi ho visto la mostra di un pittore francese: aveva ritratto un fiore che conoscevo bene, ma del quale non avevo mai colto la grazia. Ecco la felicità, ciò che quell'artista mi ha fatto scoprire.
Louis Garrel est le fils du réalisateur Philippe Garrel et de l'actrice et réalisatrice Brigitte Sy, ainsi que le petit-fils de l’acteur Maurice Garrel.
Son père emploie très tôt son fils devant la caméra. Le jeune Louis joue alors en compagnie de sa mère et de son grand-père dans les films de son père, et tout spécialement dans Les Baisers de secours (1989) à l'âge de six ans.
Louis Garrel poursuit sa carrière au cinéma en tournant notamment dans deux évocations de mai 68 : Innocents - The Dreamers de Bernardo Bertolucci en 2003 avec Eva Green et Les Amants réguliers de Philippe Garrel en 2005. C'est pour ce dernier film qu'il obtient en 2006 deux récompenses : l'Étoile d'or de la révélation masculine décernée par l’Académie de la presse du cinéma français et le César du meilleur espoir masculin.
Louis Garrel is the son of French director Philippe Garrel and French actress and director Brigitte Sy, and also grandson of French actor Maurice Garrel.
His father used Louis in front of the camera early on, and young Louis played with his mother and his grandfather in the films of his father, in particular in Les Baisers de secures (1989) when he was 6 years old.
Louis Garrel was first noticed because of the Italian director Bernardo Bertolucci's drama Innocents - The Dreamers released in 2003 where he played the twin brother of Eva Green. Two years later, he played in his father's film Les Amants réguliers for which he was awarded the César award for most promising actor.
"Ho letto Il mestiere di vivere dello scrittore italiano Cesare Pavese. Cerco il senso dell’esistenza. Sono ateo, non ho ricevuto un'educazione religiosa e il cinema è il mio catechismo"
2009-2012: with Italian-French actress, screenwriter and director Valeria Bruni Tedeschi, elder sister of Carla Bruni, wife of French ex-president Nicolas Sarkozy.
2015- with French model and actress Laetitia Casta, whom he married in 2017
Name: samuel thesis
Birth place: Moselle France
Birth date: 12 november 1978
Zodiac sign: scorpio
Occupation: actor, director, screen writer
Height: 187cm (6`2")
Chrononicle of elegant characters:
2007: louis xiv
category: tv film
title: versailles, le reve d´un roi
role: louis xiv
director: thierry binisti
It is the story of how Louis xiv transformed a simple hunting lodge into the most sumptuous royal residence of Europe, with the service of the greatest talents of the époque. And in the process, building an empire of political absolutism and art creation and appreciation.
category: tv serie
title: un village francais
role: kurt, a german officier
director: philippe triboit
A provoking chronicle of ordinary people living in a fictional French village Villeneuve during the French Occupation. how they lived and survived, loved and hated, longed for peace and fought, being human and animal...
2010: la valette
title: la princesse de montpensier
role la valette
director: bertrand tavernier
(based on original story by madame de la fayette)
name: Peter O'toole
original name: Peter Seamus O'Toole
birth place: Connemara Ireland
birth date: 2 August 1932
zodiac sign: Leo
death place: London England
death date: 14 december 2013
"I will not be a common man. I will stir the smooth sands of monotony."
Profile of Peter O'Toole
Peter Seamus O'Toole was a British stage and film actor of Irish descent. He attended the Royal Academy of Dramatic Art and began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company before making his film debut in 1959.
He achieved international recognition playing T. E. Lawrence in Lawrence of Arabia (1962) for which he received his first nomination for the Academy Award for Best Actor. He was nominated for this award another seven times – for Becket (1964), The Lion in Winter (1968), Goodbye, Mr. Chips (1969), The Ruling Class (1972), The Stunt Man (1980), My Favorite Year (1982), and Venus (2006) – and holds the record for the most Academy Award nominations for acting without a win. In 2002, O'Toole was awarded the Academy Honorary Award for his career achievements. He was additionally the recipient of four Golden Globe Awards, one British Academy Film Award and one Primetime Emmy Award.
Biography of Peter O'Toole
1950s: Shakespeare and George Bernard shaw
O'Toole attended the Royal Academy of Dramatic Art (RADA) from 1952 to 1954 on a scholarship after being rejected by the Abbey Theatre's drama school in Dublin by the director Ernest Blythe, because he couldn't speak the Irish language. At RADA, he was in the same class as Albert Finney, Alan Bates and Brian Bedford.
O'Toole described this as "the most remarkable class the academy ever had, though we weren't reckoned for much at the time. We were all considered dotty.
O'Toole began working in the theatre, gaining recognition as a Shakespearean actor at the Bristol Old Vic and with the English Stage Company from 1956 to 1958, appearing in productions of King Lear (1956), The Recruiting Officer (1956), Major Barbara (1956), Othello (1956), and The Slave of Truth (1956).
He also acted in George Bernard Shaw's plays: as Henry Higgins in Pygmalion (1957), as Tanner in Man and Superman (1958), a performance he would reprise often during his career.
O'Toole made his London debut in a musical Oh, My Papa and gained fame on the West End in the play The Long and the Short and the Tall, performed at the Royal Court starting January 1959.
1960: Lawrence of Arabia
O'Toole made his television debut in 1954, and at the beginning of 60s, he made a few films, but his major break came in November 1960 when he was chosen to play T. E. Lawrence in Sir David Lean's $12 million epic Lawrence of Arabia (1962), after Marlon Brando proved unavailable and Albert Finney turned down the role.
His performance was ranked number one in Premiere magazine's list of the 100 Greatest Performances of All Time. The role introduced him to US audiences and earned him the first of his eight nominations for the Academy Award for Best Actor.
1966: How to steal a million
"I can't stand light. I hate weather. My idea of heaven is moving from one smoke-filled room to another."
name: Nicole Françoise Florence Dreyfus
birth place: Paris France
birth date: 27 April 1932
zodiac sign: Taurus
languages: French, Italian, English
you can only perceive real beauty in a person as they get older.
Profile of Anouk Aimée
Anouk Aimée ( born 27 April 1932) is a French film actress, who has appeared in 70 films since 1947, having begun her film career at age 14. In her early years she studied acting and dance besides her regular education. Although the majority of her films were French, she also made a number of films in Spain, Great Britain, Italy and Germany, along with some American productions.
Among her films are Federico Fellini's La Dolce Vita (1960), after which she was considered a "rising star who exploded" onto the film world. She subsequently acted in Fellini's 8½ (1963), Jacques Demy's Lola (1961), George Cukor's Justine (1969), Bernardo Bertolucci's Tragedy of a Ridiculous Man (1981) and Robert Altman's Prêt à Porter (1994). She won the Golden Globe Award for Best Actress - Motion Picture Drama and the BAFTA Award for Best Actress and was nominated for the Academy Award for Best Actress for her acting in Un homme et une femme (A Man and a Woman, 1966). The film brought her international fame.
She won the Award for Best Actress at the 1980 Cannes Film Festival. In 2002 she received an honorary César Award, France's national film award.
Aimée was noted for her "striking features" and beauty, and considered "one of the hundred sexiest stars in film history," according to a 1995 poll conducted by Empire Magazine. She has often portrayed a femme fatale with a melancholy aura. In the 1960s, Life magazine wrote that "after each picture her enigmatic beauty lingered" in the memories of her audience, and called her "the Left Bank's most beautiful resident."
Biography of Anouk Aimée
1947: When she was about 14 years old, Anouk Aimée was spotted by French film director Henri Calef in a Chinese restaurant in Paris while having dinner with her mother, Henri Calef casted Anouk in his film La Maison sous la mer in 1947, which will be her debut of the cinema world.
1966: Un homme et une femme (A Man and a Woman) is a 1966 French film written and directed by Claude Lelouch and starring Anouk Aimée and Jean-Louis Trintignant. Written by Lelouch and Pierre Uytterhoeven, the film is about a young widow and widower who meet by chance at their children's boarding school and whose budding relationship is complicated by the memories of their deceased spouses.
The film won several awards, including the Palme d'Or at the 1966 Cannes Film Festival, two Golden Globe Awards for Best Foreign Language Film and Best Actress - Drama for Anouk Aimée.
I am still haunted by two things she quoted. They seemed to say more about her than anything else I experienced with her during the three weeks I knew her on the film:
The 2000s: In 2002, Anouk Aimée received an honorary César Award, France's national film award, and in 2003 received an honorary Golden Berlin Bear at the Berlin International Film Festival.
"The more the years go by, the less I know. But if you give explanations and understand everything, then nothing can happen. What helps me go forward is that I stay receptive, I feel that anything can happen."
Filmography of Anouk Aimée1946 : La Maison sous la mer de Henri Calef , Anouk
1947 : La Fleur de l'âge de Marcel Carné , Inachevé
1949 : Les Amants de Vérone de André Cayatte , Giorgia Maglia (Juliette)
1949 : La Salamandre d'or de The Golden Salamander , Ronald Neame
1951 : Conquête du froid de Jean Vidal , court métrage
1951 : Nuit d'orage Noche de tormenta de Jaime de Maroya Marcel Jauniaux , voix
1952 : La Bergère et le ramoneur de Paul Grimault , la bergère voix
1952 : Le Rideau cramoisi sketch du film Les Crimes de l'amour de Alexandre Astruc , Albertine
1952 : L'Homme qui regardait les trains The Man Who Watched the Trains Go By de Harold French , Jeanne
1954 : Forever my heart de Bernard Knowles , La femme légère épi. Happy Birthday
1955 : Les Mauvaises Rencontres, de Alexandre Astruc ,, Catherine
1955 : L'Amour ne meurt jamais Ich suche dich de O.W. Fischer , Françoise Maurer
1955 : Contraband Spain Contrabando de Lawrence Huntington Jaime Salvador , Elena Vargas
1956 : Nina de Rudolph Jugert , Nina Iwanowa
1956 : Strese-Mann de Alfred Braun , Annette Stein
1957 : Tous peuvent me tuer de Henri Decoin , Isabelle
1957 : Pot-Bouille de Julien Duvivier , Marie
1957 : Montparnasse 19 ou Les Amants de Montparnasse de Jacques Becker , Jeanne Hébuterne
1959 : Le Voyage The Journey de Anatole Litvak , Eva
1959 : La Tête contre les murs de Georges Franju , Stéphanie
1959 : Les Dragueurs de Jean-Pierre Mocky , Jeanne
1960 : Quai Notre-Dame de Jacques Berthier , l'Antiquaire
1960 : La Dolce Vita de Federico Fellini , Maddalena
1961 : Lola de Jacques Demy , Lola (Cécile)
1961 : Le Jugement dernier de Vittorio De Sica , Irène
1961 : L'Imprévu L'Imprevisto de Alberto Lattuada , Claire
1961 : Sodome et Gomorrhe ( Sodoma e Gomorra) de Robert Aldrich et Sergio Leone , la reine Bera
1961 : Le Farceur de Philippe de Broca , Hélène Laroche
1963 : Le Terroriste Il terrorista de Gianfranco De Bosio , Anna Braschi
1963 : Le Jour le plus court Il giorno più corto de Sergio Corbucci ,
1963 : Les Grands Chemins de Christian Marquand , Anna
1963 : Le Coq du village de Alessandro Blasetti ,
1963 : Le Succès Il successo de Dino Risi , Laura
1963 : Huit et demi (Otto e mezzo) de Federico Fellini , Luisa Anselmi
1964 : La Fugue (La fuga) de Paolo Spinola , Luisa
1964 : Le Sexe des anges (Le voci bianche) de Pasquale Festa Campanile Massimo Franciosa , Lorenza
1965 : Le Scandale (Lo scandalo) de Anna Gobbi ,
1965 : Les Saisons de notre amour Le stagioni de nostro amore de Florestano Vancini ,
1965 : Il morbidone de Massimo Franciosa , Valeria
1966 : Un homme et une femme de Claude Lelouch, Anne Gauthier
1967 : Vivre pour vivre de Claude Lelouch
1968 : Un soir, un train de André Delvaux , Anne
1968 : Model Shop de Jacques Demy , Lola
1968 : Le Rendez-vous The appointment de Sidney Lumet , Carla
1969 : Justine de George Cukor , Justine
1976 : Si c'était à refaire de Claude Lelouch , Sarah Gordon
1978 : Mon premier amour de Elie Chouraqui , Jane
1980 : Le Saut dans le vide (Salto nel vuoto), de Marco Bellocchio , Marta Ponticelli
1981 : La Tragédie d'un homme ridicule de Bernardo Bertolucci , Barbara Spaggiari
1982 : Qu'est-ce qui fait courir David ? de Élie Chouraqui , Hélène
1983 : Le Général de l'armée morte (Il Generale dell'armata morte), de Luciano Tovoli , la comtesse Betsy Di Brenni
1984 : Le Succès à tout prix Success is the best revenge de Jerzy Skolimowski , Monique
1984 : Viva la vie! de Claude Lelouch , Anouk
1986 : Un homme et une femme : vingt ans déjà de Claude Lelouch , Anne Gauthier
1987 : Papa et moi Arrivederci e grazie de Giorgio Capitani , Laura
1988 : La Table tournante de Paul Grimault Jacques Demy , la bergère Voix
1988 : Arriverderci e grazie de Giorgio Capitani ,
1990 : Béthune : the making of a hero ou Docteur Norman Béthune de Phillip Borsos , Marie-France Coudaire
1990 : Il y a des jours... et des lunes de Claude Lelouch , Son propre rôle
1991 : L'Amour maudit de Leisenbohg de Edouard Molinaro , Claire Hell Télévision
1993 : Rupture(s) de Christine Citti , Marthe
1993 : Les Marmottes de Elie Chouraqui , Françoise
1995 : Les Cent et Une Nuits de Simon Cinéma de Agnès Varda , L'actrice d'un jour
1995 : Prêt-à-porter Ready to wear de Robert Altman , Simone Lowenthal
1995 : Dis-moi oui de Alexandre Arcady , Claire Charvet
1995 : L'Univers de Jacques Demy de Agnès Varda , Son propre rôle
1996 : Hommes, femmes, mode d'emploi de Claude Lelouch , La veuve
1997 : Riches, belles, etc. de Bunny Schpoliansky , La fée
1997 : Salomon de Roger Young , Bethsabée
1999 : 1999 Madeleine de Laurent Bouhnik , Eve
1999 : I Love L. A. de Mika Kaurismäki , Son propre rôle
1999 : Une pour toutes de Claude Lelouch , La femme du musicien
2001 : Festival in Cannes de Henry Jaglom , Millie Marquand
2002 : Napoléon de Yves Simoneau ,
2003 : La Petite prairie aux bouleaux de Marceline Loridan-Ivens , Myriam
2004 : Ils se marièrent et eurent beaucoup d'enfants de Yvan Attal , La mère de Vincent
2006 : De particulier à particulier de Brice Cauvin , Nelly
2009 : Celle que j'aime de Elie Chouraqui , Une consommatrice dans un café
2010 : Ces amours-là de Claude Lelouch , Mme Blum
2011 : Tous les soleils de Philippe Claudel , Agathe
2012 : Mince alors ! de Charlotte de Turckheim , Maman
name: Douglas Fairbanks Jr.
birth place: New York City, New York, USA
birth date: 9 December 1909
zodiac sign: Sagittarius
death place: New York City, New York, USA
death date: 7 May 2000
languages: English, French
Profile of Douglas Fairbanks Jr.
Douglas Elton Fairbanks Jr., KBE, DSC (December 9, 1909 – May 7, 2000), was an American actor and producer, and a decorated naval officer of World War II. He is best known for starring in such films as The Prisoner of Zenda (1937), Gunga Din (1939) and The Corsican Brothers (1941). He was the son of actor Douglas Fairbanks and was once married to Joan Crawford.
I am not a socialite, although I seem to have got the reputation for being one. I have some very good friends who happen to be in the so-called Society; but Society as such is a bore and holds no fascination for me.¨`
Biography of Douglas Fairbanks Jr.
Douglas Elton Fairbanks Jr. was born in New York City; he was the only child of actor Douglas Fairbanks and his first wife, Anna Beth Sully. Fairbanks's father was one of cinema's first icons, noted for such swashbuckling adventure films as The Mark of Zorro, Robin Hood and The Thief of Bagdad.
His parents divorced when he was nine years old, and he lived with his mother in New York, California, Paris and London.
Largely on the basis of his father's name, in May 1923 Fairbanks Jr. was given a contract with Paramount Pictures at age 13, at $1,000 a week for three years.
Paramount and he parted ways by mutual consent and Doug went to Paris to resume his studies. A year later he returned to the studio, hired at what Fairbanks called "starvation wages" also having him work as a camera assistant.
In 1927 Fairbanks made his stage debut in Young Woodley based on a book by John Van Druten. Fairbanks Jr received excellent reviews and the production was a success - the play did much to improve his reputation in Hollywood. A regular audience member was Joan Crawford with whom Fairbanks would become romantically involved and then married on June 3, 1929 at St. Malachy in New York City.
They travelled to Britain on a delayed honeymoon, where he was entertained by Noël Coward, Gertrude Lawrence, Beatrice Lillie, and Prince George, Duke of Kent. He became active in both society and politics, but Crawford was far more interested in her career and had an affair with Clark Gable. The couple divorced in 1933, but the divorce would not become final for another year.
In 1930, Fairbanks Jr. went to Warner Bros. to test for the second lead in Moby Dick (1930). Although he did not win the part, head of production Darryl F. Zanuck was impressed with Douglas's screen test, and cast him in an important role in The Dawn Patrol directed by Howard Hawks.
Fairbanks had an excellent role supporting Edward G. Robinson in Little Caesar (1931), filmed in August 1930. The movie was a big hit, and Warner Bros. offered Fairbanks Jr. a contract with cast and script approval.
"By sheer accident, I had four successes in a row in the early '30s, and although I was still in my 20s, I demanded and received approval of cast, story and director. I don't know how I got away with it, but I did!"
"The original script for Morning Glory, included the fantasy dream sequence in which Miss Hepburn and I would play at least two scenes, and possibly a third, of the greatest scenes between Romeo and Juliet. That certainly intrigued and tempted me. It seemed a unique opportunity for me to play Romeo, a dream part.
In 1934, Warner asked all its stars to take a 50 percent pay cut because of the Depression. Fairbanks Jr. refused and was fired from the studio. He received a job offer from Britain and spent the next few years there, taking a residence in London's Park Lane.
In 1934, Warner asked all its stars to take a 50 percent pay cut because of the Depression. Fairbanks Jr. refused and was fired from the studio. He received a job offer from Britain and spent the next few years there, taking a residence in London's Park Lane.
Fairbanks Jr. returned to Hollywood when David O. Selznick offered him the role of Rupert of Hentzau in The Prisoner of Zenda (1937). He had been reluctant to accept the role but his father urged him to do it, saying it was "actor proof".The movie was a big success.
In December 1937 he signed a non-exclusive contract with RKO to make two films a year for five years, at $75,000 a film.
Fairbanks had his biggest-ever hit with RKO's Gunga Din (1939), alongside Cary Grant and Victor McLaglen.
On April 22, 1939, Fairbanks married Mary Lee Hartford (née Mary Lee Epling), a former wife of Huntington Hartford, the A&P supermarket heir. He remained devoted to her until her death in 1988.
Although celebrated as an actor, Fairbanks was commissioned as a reserve officer in the United States Navy when the United States entered World War II and was assigned to Lord Mountbatten's Commando staff in the United Kingdom.
Fairbanks returned to Hollywood at the conclusion of World War II. But the few movies he made during the next two years were not very successful.
As a confirmed Anglophile, Fairbanks spent much time in the United Kingdom, where he was well known in the highest social circles. He was made an Honorary Knight Commander of the Order of the British Empire (KBE) in 1949 and moved there in the early 1950s.
On May 30, 1991, Fairbanks married Vera Lee Shelton, a merchandiser for QVC Network Inc.
On the morning of May 7, 2000, Fairbanks died at the age of 90 of a heart attack and was interred at the Hollywood Forever Cemetery in Hollywood, California, in the same tomb as his father.
Uemura Shōen (上村 松園, April 23, 1875 – August 27, 1949) was the pseudonym of an important artist in Meiji, Taishō and early Shōwa period Japanese painting.
Her real name was Uemura Tsune. Shōen was known primarily for her bijin-ga paintings of beautiful women in the nihonga style, although she produced numerous works on historical themes and traditional subjects.
Shōen was born in Shimogyō-ku, Kyoto, as the second daughter of a tea merchant. She was born two months after the death of her father and, thus, grew up with her mother and aunts in an all-female household.
Her mother's tea shop attracted a refined, cultured clientele for the art of Japanese tea ceremony. As a child at age 12 (1887), Shōen drew pictures and exhibited considerable skill at drawing human figures. By the age of 15 (1890) she was exhibiting her work and winning awards in official art contests as well as commissioning work for private patrons.
Shōen became obsessed with the ukiyo-e, Japanese woodblock print, works of Hokusai. Her mother supported her decision to pursue an artistic career. This was quite unusual for the time, and although Shōen did have successful contemporaries who were female, such as Ito Shoba (1877-1968) and Kajiwara Hisako (1896-1988), women were largely still not part of the Japanese public art scene outside of Tokyo.
Shōen is considered a major innovator in the bijin-ga genre despite the fact she often still used it to depict the traditional beauty standards of women.
Bijin-ga gained criticism during the Taisho era while Shōen worked due to its lack of evolution to reflect the more modern statuses of women in Japan. During bijin-ga's conception in the Tokugawa, or Edo, period, women were regarded as lower class citizens and the genre often reflected this implication onto its female subjects. Within the Taisho era, women had made several advancements into the Japanese workforce, and artistry specifically was becoming more popular, which opened way for Shōen's success.
Shōen received many awards and forms of recognition during her lifetime within Japan, being the first female recipient of the Order of Culture award, as well as being hired as the Imperial Household's official artist, which had previously only employed one other official woman in the position.
In 1949 Uemura Shōen died of cancer just a year after receiving the Order of Culture Award.
Biography of Shigeru Umebayashi
Shigeru Umebayashi is a Japanese composer. Once the leader of Japan's new wave rock band EX, Shigeru Umebayashi began scoring films in 1985 when the band broke up. He has more than 30 Japanese and Chinese films to his credit.
In 1991, Shigeru Umebayashi scored for Japanese director Seijun Suzuki's biopic film about Japanese painter and poet Takehisa Yumeji Yumeji), one of the scores "Yumeji's Theme" was later included in Hongkong director Wong Kar-wai's film In the Mood for Love (2000), and this track became his best known work in the world.
Umebayashi not only scored most of Wong Kar-wai's follow-up film, such as his film 2046 in 2004, and Grandmaster in 2013, but also worked with many other directors both in China and Japan, such as Chinese Director Zhang Yi mo for his 2004 film House of Flying Daggers.
In 2009, Umebayashi scored for Tom Ford directorial debut A single man, together with several other composers including polish composer Abel Korzeniowski.
Itsuka Darekaga Korosareru (1984)
Tomoyo Shizukani Nemure (1985)
Shinshi Domei (1986)
Kyohu no Yacchan (1987)
Getting Blue in Color (1988)
Hong Kong Paradise (1990)
Arihureta Ai ni Kansuru Chosa (1992)
Byoin he Iko 2 Yamai ha Kikara (1992)
Nemuranai Machi Shinjuku Zame (1993)
Izakaya Yurei (1994)
Zero Woman (1995)
Boxer Joe (1995)
Kitanai Yatsu (1995)
Hashirana Akan Yoake Made (1995)
The Christ of Nanjing (1995)
Shin Gokudo Kisha (1996)
Izakaya Yurei 2 (1996)
Ichigo Domei (1997)
Isana no Umi (1997)
Watashitachi ga Sukidatta Koto (1997)
G4 Option Zero (1997)
Belle Epoch (1998)
2000 A.D. (2000)
In the Mood for Love (2000)
Midnight Fly (2001)
Hikari no Ame (2001)
Zhou Yu's Train (2002)
Onmyoji II (2003)
Floating Land Scape (2003)
House of Flying Daggers (2004)
Curse of the Golden Flower (2006)
Hannibal Rising (2007)
Tears for Sale (2008)
The Real Shaolin (2008)
True Legend (2010)
Days of Grace (2011)
The Grandmaster (2013)
Rise of the Legend (2014)
The Bride (2015)
Crouching Tiger, Hidden Dragon: Sword of Destiny (2016)
The Wasted Times (2016)
Selected film scores
1991, Yumeji directed by Seijun Suzuki
2000, In the mood for love (Faa yeung nin wa, original title) directed by Wong Kar-wai
2004, House of daggers directed by Zhang yi mo
2009, A single man directed by Tom Ford
Profile of Adolph von Menzel
Adolph Friedrich Erdmann von Menzel (December 8, 1815 – February 9, 1905) was a German Realist artist noted for drawings, etchings, and paintings. Along with Caspar David Friedrich, he is considered one of the two most prominent German painters of the 19th century,and was the most successful artist of his era in Germany. First known as Adolph Menzel, he was knighted in 1898 and changed his name to Adolph von Menzel.
Biography of Adolph von Menzel
Adolph Menzel was born to German parents in Breslau, Prussian Silesia (now Poland), on December 8, 1815. His father was a lithographer and intended to educate his son as a professor; however, he would not thwart his taste for art. After resigning his teaching post, Menzel senior set up a lithographic workshop in 1818.
In 1830 his family moved to Berlin, and in 1832 Adolph was forced to take over the lithographic business on the death of his father. In 1833, he studied briefly at the Berlin Academy of Art, where he drew from plaster casts and ancient sculptures; thereafter Menzel was self-taught. Louis Friedrich Sachse of Berlin published his first work in 1833, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe's little poem, Kunstlers Erdenwallen. He executed lithographs in the same manner to illustrate Denkwürdigkeiten aus der brandenburgisch-preussischen Geschichte; The Five Senses and The Prayer, as well as diplomas for various corporations and societies.
From 1839 to 1842, he produced 400 drawings, largely introducing to Germany the technique of wood engraving, to illustrate the Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler. He subsequently brought out Friedrichs der Grossen Armee in ihrer Uniformirung (The Uniforms of the Army under Frederick the Great), Soldaten Friedrichs der Grossen (The Soldiers of Frederick the Great); and finally, by order of King Frederick William IV, he illustrated the works of Frederick the Great, Illustrationen zu den Werken Friedrichs des Grossen (1843–1849). The artist had a deep sympathy for the Prussian king. In one of his letters to Johann Jakob Weber, he said that it was his intention to represent the monarch as a man who was both hated and admired—simply as he was, in other words, as a man of the people. Through these works, Menzel established his claim to be considered one of the first, if not actually the first, of the illustrators of his day in his own line.
In the meantime, Menzel had also begun to study, unaided, the art of painting, and he soon produced a great number and variety of pictures. His paintings consistently demonstrated keen observation and honest workmanship in subjects dealing with the life and achievements of Frederick the Great, and scenes of everyday life, such as In the Tuileries, The Ball Supper, and At Confession. Among those considered most important of these works are Iron Rolling Mill (1872–1875) and The Market-place at Verona. When invited to paint The Coronation of William I at Koenigsberg, he produced an exact representation of the ceremony without regard to the traditions of official painting.
During Menzel's life, his paintings were appreciated by Otto von Bismarck and William I, and after his death they were appropriated for use as electoral posters by Adolf Hitler. In late Twentieth century, his biggest fan is Karl Langerfeld, who admitted Aldolph von Menzel is his favorite painter.
If these historical illustrations anticipated the qualities of early Impressionism, it is paintings such as The French Window and The Palace Garden of Prince Albert, both painted in the mid- 1840s, that now appeal as "among the most freely observed of mid-nineteenth century images." Such genre paintings evidence associations with French and English art. Though he was primarily an excellent draughtsman, art historian Julius Meier-Graefe considered him to be a "proto-impressionist" painter, whose graphic work hindered his painterly potentials. Private drawings and watercolors made of dead and dying soldiers in 1866 on the battlefields of the Austro-Prussian War are unsparing in their realism, and have been described by art historian Marie Ursula Riemann-Reyher as "unique in German art of the time."
The paintings which were available to the public garnered recognition not only within Germany, but from the French avant-garde as well: Edgar Degas admired and copied his work, calling him "the greatest living master", and Louis Edmond Duranty wrote of his art:
And the poet Jules Laforgue described him as "no taller than a cuirassier-guard's boot, bedecked with pendants and orders, not missing a single one of these parties, moving among all these personages like a gnome and like the greatest enfant terrible for the chronicler."
In Germany Menzel received many honors, and in 1898 he became the first painter to be admitted to the Order of the Black Eagle; by virtue of receiving the Order, Menzel was raised to the nobility, becoming "Adolph von Menzel". He was also made a member of the Académie des Beaux-Arts in Paris and the Royal Academy in London.
His popularity in his native country, owing especially to history painting, was such that few of his major paintings left Germany, as many were quickly acquired by museums in Berlin. Menzel's graphic works and drawings were more widely disseminated; these, along with informal paintings not initially intended for display, have largely accounted for his posthumous reputation.
Although he traveled in order to find subjects for his art, to visit exhibitions, and to meet with other artists, Menzel spent most of his life in Berlin, and was, despite numerous friendships, by his own admission detached from others. It is likely that he felt socially estranged for physical reasons alone—Menzel had a large head, and stood about four foot six inches.
Aldolph von Menzel died on 9 February 1905 in Berlin, his funeral arrangements were directed by the Kaiser, who walked behind his coffin.
birth place: Montpellier France
birth date: 28 September 1823
zodiac sign: Libras
death place: Paris France
death date: 23 January 1889
Alexandre Cabanel, né le 28 septembre 1823 à Montpellier et mort le 23 janvier 1889 à Paris 8e1, est un artiste peintre français, considéré comme l'un des grands peintres académiques, du Second Empire, dont il est l'un des artistes les plus admirés.
Fils d'un modeste menuisier, Alexandre Cabanel commence son apprentissage à l’école des beaux-arts de Montpellier dans la classe de Charles Matet conservateur du musée Fabre. Doté d'une bourse, il s'installe à Paris en 1839.
Il entre en 1840 à l'École des beaux-arts de Paris où il est l'élève de François-Édouard Picot.
Après deux échecs, Cincinnatus recevant les ambassadeurs de Rome en 1843 et Le Christ au Jardin des Oliviers en 1844, il est lauréat d'un second prix de Rome en 1845 et pensionnaire de la villa Médicis jusqu'en 1850.
À Montpellier, il réalise les portraits d'un certain nombre de membres de familles fortunées comme la famille Marès. À la fois peintre d'histoire et peintre de genre, il évolue au fil des années vers des thèmes romantiques, telle Albaydé, en 1848, inspirée par Les Orientales de Victor Hugo publié en 1829.
Il reçoit les insignes de chevalier de la Légion d'honneur en 1855.
La célébrité lui vient avec la Naissance de Vénus exposée au Salon de 1863 qui est immédiatement achetée par Napoléon III pour sa collection personnelle et qui entre au musée du Luxembourg en 1881 (le tableau est conservé à Paris au musée d'Orsay). Il passe un contrat avec la maison Goupil pour la commercialisation de reproductions en gravure de la Naissance de Vénus.
En 1863, Cabanel est élu membre de l'Académie des beaux-arts au fauteuil X.
En janvier 1864, il est nommé professeur-chef d'atelier de peinture à l'École des beaux-arts de Paris et promu au rang d’officier de la Légion d'honneur.
Lors de l'Exposition universelle de 1867, il est décoré de la croix de chevalier de première classe de l'ordre du Mérite de Saint-Michel de Bavière à la suite de son Paradis perdu commandé pour le Maximilianeum de Munich par Louis II de Bavière.
Entre 1868 et 1888, il est dix-sept fois membre du jury du Salon, dont les années 1869, 1873, 1875, 1876, 1877, 1878, 1881.
Il reçoit la médaille d'honneur du Salon en 1865, pour le Portrait de l'Empereur, ainsi qu'en 1867 et en 1878.
Ses œuvres sont recherchées par les célébrités européennes et les collectionneurs américains qui lui commandent leurs portraits.
En tant que peintre officiel et membre du jury, où il fait preuve d'une farouche opposition à l'égard de toute tendance novatrice, Cabanel est régulièrement critiqué et mis en opposition avec les naturalistes et les impressionnistes, en particulier avec Édouard Manet dont Le Déjeuner sur l'herbe, alors intitulé Le Bain, puis La Partie carrée, avait été refusé au Salon de 1863, alors que Cabanel triomphait avec sa Naissance de Vénus. Il est régulièrement brocardé par Émile Zola ou Joris-Karl Huysmans.
Cependant, il intervient en 1881 lors de la présentation du portrait de Pertuiset, Le chasseur de lions d'Édouard Manet et défend celui-ci en s'écriant « Messieurs, il n’y en a pas un parmi nous qui soit fichu de faire une tête comme ça en plein air ! »
Il est promu au rang de commandeur de la Légion d'honneur en 1884 et est élu associé de l'Académie Royale de Belgique le 6 janvier 1887.
Ses obsèques ont lieu à Paris le 26 janvier 1889 puis son corps est transporté à Montpellier au cimetière Saint-Lazare où il est inhumé le 28 janvier 1889. Un monument est érigé en 1892 par l'architecte Jean Camille Formigé orné d'un buste en marbre de Paul Dubois et une sculpture, Regret, d'Antonin Mercié.
Une rue porte son nom à Paris, la rue Alexandre-Cabanel dans le 15e arrondissement, à Montpellier, à Béziers ainsi qu'à Toulon.
Alexandre Cabanel was a French painter. He painted historical, classical and religious subjects in the academic style. He was also well known as a portrait painter. According to Diccionario Enciclopedico Salvat, Cabanel is the best representative of the L'art pompier and Napoleon III's preferred painter.
Biogrophy of Alexandre Cabanel
Cabanel entered the École des Beaux-Arts in Paris at the age of seventeen, and studied with François-Édouard Picot. He exhibited at the Paris Salon for the first time in 1844, and won the Prix de Rome scholarship in 1845 at the age of 22. Cabanel was elected a member of the Institute in 1863. He was appointed professor at the École des Beaux-Arts in 1864 and taught there until his death.
He was closely connected to the Paris Salon: "He was elected regularly to the Salon jury and his pupils could be counted by the hundred at the Salons. Through them, Cabanel did more than any other artist of his generation to form the character of belle époque French painting". His refusal together with William-Adolphe Bouguereau to allow the impressionist painter Édouard Manet and many other painters to exhibit their work in the Salon of 1863 led to the establishment of the Salon des Refusés by the French government. Cabanel won the Grande Médaille d'Honneur at the Salons of 1865, 1867, and 1878.
A successful academic painter, his 1863 painting The Birth of Venus is one of the best known examples of 19th-century academic painting. The picture was bought by the emperor Napoleon III; there is also a smaller replica (painted in 1875 for a banker, John Wolf) at the Metropolitan Museum of Art in New York City. It was given to them by Wolf in 1893.
Biography of Horst P. Horst
Horst Paul Albert Bohrmann (Aka. Horst P. Horst) was born on 14 August 1906 in Weißenfels-an-der-Saale, Germany in a well-to-do protestant family.
In his teens, Horst met dancer Evan Weidemann at the home of his aunt, and this aroused his interest in avant-garde art. In the late 1920s, Horst studied at Hamburg Kunstgewerbeschule, leaving there in 1930 to go to Paris to study under the architect Le Corbusier.
In 1930 Horst met Vogue photographer Baron George Hoyningen-Huene, a half-Baltic, half-American nobleman in Paris, and became his photographic assistant, occasional model, and lover. He traveled to England with Baron Hoyningen-Huene that winter and visited photographer Cecil Beaton, who was working for the British edition of Vogue.
In 1931, Horst began his association with Vogue, publishing his first photograph in the French edition of Vogue in December of that year. It was a full-page advertisement showing a model in black velvet holding a Klytia scent bottle in one hand with the other hand raised elegantly above it... Horst´s real breakthrough as a published fashion and portrait photographer was in the pages of British Vogue starting with the 30 March 1932 issue showing three fashion studies and a full page portrait of the daughter of Sir James Dunn, the art patron and supporter of Surrealism.
Horst´s first exhibition took place at La Plume d'Or in Paris in 1932. It was reviewed by Janet Flanner in The New Yorker, and this review, which appeared after the exhibition ended, made Horst instantly prominent. Horst made a portrait of Bette Davis the same year, the first in a series of public figures he would photograph during his career. Within two years, he had photographed Noël Coward, Yvonne Printemps, Lisa Fonssagrives, Count Luchino Visconti di Madrone, Duke Fulco di Verdura, Baron Nicolas de Gunzburg, Princess Natalia Pavlovna Paley, Daisy Fellowes, Princess Marina of Greece and Denmark, Cole Porter, Elsa Schiaparelli, and others like Eve Curie.
Horst rented an apartment in New York City in 1937, and while residing there met Coco Chanel, whom Horst called "the queen of the whole thing". He would photograph her fashions for three decades.
He met Valentine Lawford, British diplomat in 1938, and they lived together until Lawford's death in 1991. They adopted and raised a son, Richard J. Horst, together.
In 1939, Horst P. Horst took "The Mainbocher Corset" for French Vogue, with its erotically charged mystery, it would become one of the most iconic photoes of 20 Century. Designers like Donna Karan continue to use "The Mainbocher Corset" as an inspiration for their outerwear collections. Horst´s work frequently reflects his interest in surrealism and his regard of the ancient Greek ideal of physical beauty.
On October 21 1941, Horst received his United States citizenship as Horst P. Horst. He became an Army photographer, with much of his work printed in the forces' magazine Belvoir Castle. In 1945, he photographed United States President Harry S. Truman, with whom he became friends, and he photographed every First Lady in the post-war period at the invitation of the White House.
In 1947, Horst moved into his house in Oyster Bay, New York. He designed the white stucco-clad building himself, the design inspired by the houses that he had seen in Tunisia during his relationship with Hoyningen-Huene.
Horst is best known for his photographs of women and fashion, one of his most famous portraits is of Marlene Dietrich, taken in 1942. She protested the lighting that he had selected and arranged, but he used it anyway. Dietrich liked the results and subsequently used a photo from the session in her own publicity.
As a versatile photographer, Horst P. Horst is also recognized for his photographs of interior architecture, still lifes, especially ones including plants, and environmental portraits.
Horst´s method of work typically entailed careful preparation for the shoot, with the lighting and studio props (of which he used many) arranged in advance. His instructions to models are remembered as being brief and to the point. His published work uses lighting to pick out the subject; he frequently used four spotlights, often one of them pointing down from the ceiling. Only rarely do his photos include shadows falling on the background of the set. Horst rarely, if ever, used filters. While most of his work is in black & white, much of his color photography includes largely monochromatic settings to set off a colorful fashion. Horst's color photography did include documentation of society interior design, well noted in the volume Horst Interiors. He photographed a number of interiors designed by Robert Denning and Vincent Fourcade of Denning & Fourcade and often visited their homes in Manhattan and Long Island. After making the photograph, Horst generally left it up to others to develop, print, crop, and edit his work.
In the 1960s, encouraged by Vogue editor Diana Vreeland, Horst began a series of photos illustrating the lifestyle of international high society which included people like: Jacqueline Kennedy Onassis, Duke of Windsor and Duchess of Windsor, Consuelo Vanderbilt, Marella Agnelli, Gloria Guinness, Baroness Pauline de Rothschild and Baron Philippe de Rothschild, Yves Saint Laurent, Comtesse Jacqueline de Ribes, Lee Radziwill, Helen of Greece and Denmark, Baroness Geoffroy de Waldner, Princess Tatiana of Sayn-Wittgenstein-Berleburg, Peregrine Eliot, 10th Earl of St Germans and Lady Jacquetta Eliot, Countess of St Germans, Antenor Patiño, Oscar de la Renta and Françoise de Langlade, Desmond Guinness and Princess Henriette Marie-Gabrielle von Urach, Andy Warhol, Nancy Lancaster, Doris Duke, Emilio Pucci, Cy Twombly, Amanda Burden, Paloma Picasso.
The articles were written by the photographer's longtime companion, Valentine Lawford. From this point until nearly the time of his death, Horst spent most of his time traveling and photographing.
In the mid 1970s, while keeping his work with Vogue, including its Italian, French, British editions, Horst began working also for House & Garden magazine, Vogue´s sister publication, touring around the world. But he dedicated more of his time to writing books and exhibiting his photography.
Horst's last photograph for British Vogue was in 1991 with Princess Michael of Kent, shown against a background of tapestry and wearing a tiara belonging to her mother-in-law, Princess Marina, who he had photographed in 1934.
Horst P. Horst died at his home in Palm Beach Gardens, Florida at 93 years of age.
Horst Portraits: 60 Years of Style 1st Edition
by Terence Pepper (Author), Horst P. Horst (Author), Charles Saumarez Smith (Author)
Horst's photographic career spanned from 1931 to 1991. The son of a hardware store owner in eastern Germany, Horst found his way to Paris, where he became the assistant to George Hoyningen-Huene, chief photographer for Paris Vogue. Largely self-taught, Horst began publishing fashion photos in Vogue fewer than two years later and eventually established the style of sophisticated posing and dramatic lighting that would make him famous. In this book, published to accompany an exhibit that originated at the National Portrait Gallery and is currently at the Museum of Fine Arts, Boston, Pepper (curator of photographs at the National Portrait Gallery) and Muir (former picture editor for British Vogue) offer Horst's images of the leading figures in the arts, movies, and society that have become the very pictures most often associated with these famous faces. Included are portraits of Noel Coward, Cecil Beaton, Katharine Hepburn, Gertrude Stein, Salvador Dali, and others, as well as many famous fashion models. A biographical essay traces Horst's life and influences. Notes on the plates describe the sitter, photographic session, and other interesting details that enrich the images.
Hardcover – November 1, 1993
by Barbara Plumb (Author)
Since the 1950s, interior design photographer Horst has had unmatched access to the private homes of the Duke and Duchess of Windsor, Oscar de la Renta, Andy Warhol, Yves St. Laurent, and Palamo Picasso. A unique insider's view of the rooms inhabited by the elite of America and Europe. 200 color photos.
Around That Time: Horst at Home in Vogue
Hardcover – October 4, 2016
by Valentine Lawford (Author), Ivan Shaw (Author), Hamish Bowles (Author)
Vogue’s Book of Houses, Gardens, People (1968) was a landmark publication among decorating books, and it chronicles an important chapter in the history of Vogue. Vogue’s Horst P. Horst, a leading fashion photographer of his time, developed an intense interest in seeing the world’s great homes and meeting their owners; beginning in the early 1960s, he journeyed in an elite world that would soon be lost. With accompanying lyrical essays about homes and their occupants by the famed writer Valentine Lawford (Horst’s partner in work and life), the book is a virtual who’s who of society, politics, and the arts in the mid-20th century. Around That Time showcases much of the material featured in the original book, plus never-before-seen photographs from those homes as well as images from additional homes Horst shot well into the 1980s.
Horst: Sixty Years of Photography
Hardcover – July 15, 1991
by Martin Kazmaier (Author), Host P. Horst (Photographer)
Celebrated Vogue fashion photographer Horst P. Horst defines an attitude, a genre, with his studies of women--icons of elegance, unattainable goddesses--captured with calm detachment. This tony tribute to the work of the German-born, New York-based photographer is studded with portraits of figures from 1930s' Paris--Coco Chanel, Gertrude Stein, Cole Porter, Janet Flanner, etc. The book includes a multitude of portraits--many predictable, others revealing--of luminaries such as W. H. Auden, Truman Capote, Katherine Hepburn, Andy Warhol, Calvin Klein, Brooke Shields, Harry Truman, the Duchess of Windsor. Horst's still lifes and stagey fashion ads often border on kitsch, but every so often he turns out a strong, original beauty like the raindrop-stained Still life with Tulips (1950), radiant, sincere and gorgeous. Kazmaier is a German dramatist and photography critic.
HORST, HIS WORK AND HIS WORLD, SIGNED BY HORST
[Signed by Horst and Valentine Lawford]Horst, Horst P. Horst, His Work and His World. First Edition. 1984. Book and dust jacket are both in very good condition. Book is signed by both authors (Horst and Valentine Lawford) on the half title page.
This four hundred-page book is by far the most comprehensive monograph on Horst P. Horst’s six-decade-long career, beginning with his apprenticeships for Le Corbusier and Baron George Hoyningen-Huene. The heart of the book is his fashion work, featuring images of designs by Mainbocher, Chanel, Schiaparelli, Balenciaga, Dior, Valentina, Yves Saint Laurent, etc.. In addition to the three hundred color and black and white photographs, there is extensive (and surprisingly candid) commentary by Lawford, with dozens of quotes taken directly from Horst.
“Fashion is an expression of the times. Elegance is something else again.”
name: Antonio Canova
birth place: Possagno, Republic of Venice
birth date: 1 November 1757
zodiac sign: Scopio
death place: Venice, Lombardy-Venetia
death date: 13 October 1822
Profile of Antonio Canova
Antonio Canova (1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists, his artwork was inspired by the Baroque and the classical revival, but avoided the melodramatics of the former, and the cold artificiality of the latter.
Biography of Antonio Canova
In 1757, Antonio Canova was born in the Venetian Republic city of Possagno to Pietro Canova, a stonecutter. In 1761, his father died. A year later, his mother remarried. As such, in 1762, he was put into the care of his paternal grandfather Pasino Canova, who was a stonemason, owner of a quarry, and was a "sculptor who specialised in altars with statues and low reliefs in late Baroque style". He led Antonio into the art of sculpting.
At the age of nine, he executed two small shrines of Carrara marble, which are still extant, and appears to have been constantly employed under his grandfather.
In 1770, he started his apprenticeship first with Giuseppe Bernardi, then with Giovanni Ferrari until he began his studies at the Accademia di Belle Arti di Venezia. At the Academy, he won several prizes and was given his first workshop within a monastery by some local monks.
During this time, Antonio Canova started to receive from the Venetian elite and he opened his own studio at Calle Del Traghetto at S. Maurizio in 1779.
Canova arrived in Rome, on 28 December 1780, and spent his time studying and sketching the works of Michelangelo.
Between 1783 – 1785, Canova arranged, composed, and designed a funerary monument dedicated to Clement XIV for the Church of Santi Apostoli. It was finished in 1787 and secured Canova's reputation as the pre-eminent living artist.
Antonio Canova systematically promoted his reputation by publishing engravings of his works and having marble versions of plaster casts made in his workshop, and by1800, Antonio Canova was the most celebrated artist in Europe.
He became so successful that he had acquired patrons from across Europe including France, England, Russia, Poland, Austria and Holland, as well as several members from different royal lineages, and prominent individuals.
Among his patrons were Napoleon and his family, for whom Canova produced much work, including several depictions between 1803 and 1809. The most notable representations were that of Napoleon as Mars the Peacemaker, and Venus Victrix which was portrayal of Pauline Bonaparte.
In 1802, Canova was assigned the post of 'Inspector-General of Antiquities and Fine Art of the Papal State', a position formerly held by Raphael. One of his activities in this capacity was to pioneer the restoration of the Appian Way by restoring the tomb of Servilius Quartus. In 1808 Canova became an associated member of the Royal Institute of the Netherlands.
In 1815, he was named 'Minister Plenipotentiary of the Pope,'and was tasked with recovering various works of art that were taken to Paris by Napoleon.
In 1816, Canova returned to Rome with some of the art Napoleon had taken. He was rewarded with several marks of distinction: he was appointed President of the Accademia di San Luca, inscribed into the "Golden Book of Roman Nobles" by the Pope's own hands, and given the title of Marquis of Ischia, alongside an annual pension of 3000 crowns.
At the end of the decade, Canova decided to build a personified statue of Religion and a temple to house it. He designed, financed, and partly built the structure, a combination of the Parthenon and the Pantheon in Possagno, his birth place.
On 11 July 1819, Canova laid the foundation stone for Tempio Canoviano, dressed in red Papal uniform and decorated with all his medals, and he would continue to supersize the construction of Tempio Canoviano until the end of his life by regularly going back to Possagno.
The temple was first opened in 1830, and finally completed in 1836.
On 13 October 1822, Antonio Canova died in Venice at the age of 64. Before his death, he has instructed his brother to use his entire estate to complete the Tempio Canoviano in Possagno.
On 25 October 1822, his body was placed in the Tempio Canoviano. His heart was interred at the Basilica di Santa Maria Gloriosa dei Frari in Venice, and his right hand preserved in a vase at the Accademia di Belle Arti di Venezia.
His memorial service was so grand that it rivalled the ceremony that the city of Florence held for Michelangelo in 1564.
Profile of Georg Philipp Telemann
Georg Philipp Telemann (24 March 1681 – 25 June 1767) was a German Baroque composer and multi-instrumentalist. Almost completely self-taught in music, he became a composer against his family's wishes. After studying in Magdeburg, Zellerfeld, and Hildesheim, Telemann entered the University of Leipzig to study law, but eventually settled on a career in music. He held important positions in Leipzig, Sorau, Eisenach, and Frankfurt before settling in Hamburg in 1721, where he became musical director of that city's five main churches.
Telemann is one of the most prolific composers in history and was considered by his contemporaries to be one of the leading German composers of the time—he was compared favorably both to his friend Johann Sebastian Bach, who made Telemann the godfather and namesake of his son Carl Philipp Emanuel, and to George Frideric Handel, whom Telemann also knew personally. As part of his duties, he wrote a considerable amount of music for educating organists under his direction. This includes 48 chorale preludes and 20 small fugues (modal fugues) to accompany his chorale harmonizations for 500 hymns. His music incorporates French, Italian, and German national styles, and he was at times even influenced by Polish popular music. He remained at the forefront of all new musical tendencies, and his music stands as an important link between the late Baroque and early Classical styles. The Telemann Museum in Hamburg is dedicated to him.
Biography of Georg Philipp Telemann
Telemann was born in Magdeburg, then the capital of the Duchy of Magdeburg, Brandenburg-Prussia. His father Heinrich, deacon at the Church of the Holy Spirit (Heilige-Geist-Kirche), died when Telemann was four. The future composer received his first music lessons at 10, from a local organist, and became immensely interested in music in general, and composition in particular. Despite opposition from his mother and relatives, who forbade any musical activities, Telemann found it possible to study and compose in secret, even creating an opera at age 12.
In 1697, Telemann was sent to the famous Gymnasium Andreanum at Hildesheim, where his musical talent flourished, supported by school authorities, including the rector himself. Telemann was becoming equally adept both at composing and performing, teaching himself flute, oboe, violin, viola da gamba, recorder, double bass, and other instruments.
In 1701 he graduated from the Gymnasium and went to Leipzig to become a student at the Leipzig University, where he intended to study law. He ended up becoming a professional musician, regularly composing works for Nikolaikirche and even St. Thomas (Thomaskirche). In 1702 he became director of the municipal opera house Opernhaus auf dem Brühl, and later music director at the Neukirche. Prodigiously productive, Telemann supplied a wealth of new music for Leipzig, including several operas, one of which was his first major opera, Germanicus.
Telemann left Leipzig in 1705 at the age of 24, after receiving an invitation to become Kapellmeister for the court of Count Erdmann II of Promnitz at Sorau (now Żary, in Poland). His career there was cut short in early 1706 by the hostilities of the Great Northern War, and after a short period of travels he entered the service of Duke Johann Wilhelm in Eisenach where Johann Sebastian Bach was born. He became Konzertmeister on 24 December 1708 and Secretary and Kapellmeister in August 1709. During his tenure at Eisenach, Telemann wrote a great deal of music: at least four annual cycles of church cantatas, dozens of sonatas and concertos, and other works. In 1709, he married Amalie Louise Juliane Eberlin, lady-in-waiting to the Countess of Promnitz and daughter of the musician Daniel Eberlin. Their daughter was born in January 1711. The mother died soon afterwards, leaving Telemann depressed and distraught.
On 18 March 1712 Tellemann moved to Frankfurt at the age of 31 to become city music director and Kapellmeister at the Barfüßerkirche and St. Catherine's Church. In Frankfurt, he fully gained his mature personal style. Here, as in Leipzig, he was a powerful force in the city's musical life, creating music for two major churches, civic ceremonies, and various ensembles and musicians. By 1720 he had adopted the use of the da capo aria, which had been adopted by composers such as Domenico Scarlatti.
On 28 August 1714, three years after his first wife had died, Telemann married his second wife, Maria Catharina Textor, daughter of a Frankfurt council clerk. They eventually had nine children together. This was a source of much personal happiness, and helped him produce compositions. Telemann continued to be extraordinarily productive and successful, even augmenting his income by working for Eisenach employers as a Kapellmeister von Haus aus, that is, regularly sending new music while not actually living in Eisenach. Telemann's first published works also appeared during the Frankfurt period. His output increased rapidly, for he fervently composed overture-suites and chamber music, most of which is unappreciated. In the latter half of the Frankfurt period, he composed an innovative work, his Viola Concerto in G major, which is twice the length of his violin concertos. Also, here he composed his first choral masterpiece, his Brockes Passion, in 1716.
In 1721 The ambitious composer accepted the invitation to work in Hamburg as Kantor of the Johanneum Lateinschule, and music director of the five largest churches. Soon after arrival, Telemann encountered some opposition from church officials who found his secular music and activities to be too much of a distraction for both Telemann himself and the townsfolk. The next year in 1722, the city of Leipzig was looking for a new Thomaskantor which Telemann applied for and got the post, but Hamburg authorities agreed to give him a suitable raise. That post finnly went to Johann Sebastian Bach.
Between 1737 and 1738 Teleman traveled to Paris and stayed there for eight months. He was impressed by the opera Castor et Pollux, written by French composer Jean-Philippe Rameau. From then on, he incorporated the French operatic style into his vocal works. Before then, his influence was primarily Italian and German. Apart from that, Telemann remained in Hamburg for the rest of his life. A vocal masterpiece of this period is his St Luke Passion from 1728, which is a prime example of his fully matured vocal style.
His first years in Hamburg were plagued by marital troubles: his wife's infidelity, and her gambling debts, which amounted to a sum larger than Telemann's annual income. The composer was saved from bankruptcy by the efforts of his friends, and by the numerous successful music and poetry publications Telemann made during the years 1725 to 1740. By 1736 husband and wife were no longer living together because of their financial disagreements.
In the 1740s, Telemann became less productive although still active and fulfilling the many duties of his job. He took up theoretical studies, as well as hobbies such as gardening and cultivating exotic plants, something of a fad in Hamburg at that time, and a hobby shared by Handel. Most of the music of the 1750s appears to have been parodied from earlier works. Troubled by health problems and failing eyesight in his last years, Telemann was still composing into the 1760s.
He died on the evening of 25 June 1767 from what was recorded at the time as a "chest ailment." He was succeeded at his Hamburg post by his godson, Johann Sebastian Bach's second son Carl Philipp Emmanuel Bach.
Telemann was one of the most prolific major composers of all time:his all-encompassing oeuvre comprises more than 3,000 compositions, half of which have been lost, and most of which have not been performed since the 18th century. From 1708 to 1750, Telemann composed 1,043 sacred cantatas and 600 overture-suites, and types of concertos for combinations of instruments that no other composer of the time employed.
During his lifetime and the latter half of the 18th century, Telemann was very highly regarded by colleagues and critics alike. Major composers such as J. S. Bach and Handel bought and studied his published works. He was immensely popular not only in Germany but also in the rest of Europe. It was only in the early 19th century that his popularity came to a sudden halt. Most lexicographers started dismissing him as a "polygraph" who composed too many works, a Vielschreiber for whom quantity came before quality.
It was not until the 20th century that Tellemann's music started being performed again. The revival of interest in Telemann began in the first decades of the 20th century and culminated in the Bärenreiter critical edition of the 1950s. Today each of Telemann's works is usually given a TWV number, which stands for Telemann-Werke-Verzeichnis (Telemann Works Catalogue).
Telemann's music was one of the driving forces behind the late Baroque and the early Classical styles. Starting in the 1710s he became one of the creators and foremost exponents of the so-called German mixed style, an amalgam of German, French, Italian and Polish styles. Over the years, his music gradually changed and started incorporating more and more elements of the galant style, but he never completely adopted the ideals of the nascent Classical era: Telemann's style remained contrapuntally and harmonically complex.
Equally important for the history of music were Telemann's publishing activities. By pursuing exclusive publication rights for his works, he set one of the most important early precedents for regarding music as the intellectual property of the composer.
Profile of Antonio Vivaldi
Antonio Lucio Vivaldi (4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà, a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. Ten years after meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later.
Biography of Antonio Vivaldi
Antonio Lucio Vivaldi was born on 4 March 1678 in Venice, then the capital of the Venetian Republic.
Vivaldi's parents were Giovanni Battista Vivaldi and Camilla Calicchio, as recorded in the register of San Giovanni in Bragora.
His father Giovanni Battista was a barber then became a professional violinist and was one of the founders of the Sovvegno dei musicisti di Santa Cecilia, an association of musicians. He Antonio to play the violin and then tour Venice playing the violin with him.
Vivaldi's health was problematic. One of his symptoms, strettezza di petto ("tightness of the chest"), has been interpreted as a form of asthma.This did not prevent him from learning to play the violin, composing, or taking part in musical activities, although it did stop him from playing wind instruments. In 1693, at the age of fifteen, he began studying to become a priest.He was ordained in 1703, aged 25, and was soon nicknamed il Prete Rosso, "The Red Priest". (Rosso is Italian for "red", and would have referred to the color of his hair, a family trait.)
Not long after his ordination, in 1704, he was given a dispensation from celebrating Mass because of his ill health. but he formally remained a member of the priesthood.
In September 1703, Vivaldi became maestro di violino (master of violin) at an orphanage called the Pio Ospedale della Pietà (Devout Hospital of Mercy) in Venice.
Vivaldi wrote concertos, cantatas and sacred vocal music while working in Ospedale della Pietà. These sacred works, which number over 60, are varied: they included solo motets and large-scale choral works for soloists, double chorus, and orchestra.
In 1704, in addition to maestro di violino, Vivaldi also became teacher of viola all'inglese and one time maestro di coro, composing an oratorio or concerto at every feast and teach the orphans both music theory and how to play certain instruments.
His work was not always recognized by the Ospedale, however, and he was forced to become freelance musician in 1709 because the board of directors fired him, but they had to ask him back after one year, and in 1716 Antonio Vivaldi was promoted to maestro de' concerti (music director) and became responsible for all of the musical activity of the institution.
As a composer Vivaldi's breakthrough came with his first collection of 12 concerti for one, two, and four violins with strings, L'estro armonico (Opus 3), which was published in Amsterdam in 1711 by Estienne Roger, dedicated to Grand Prince Ferdinand of Tuscany who sponsored many musicians including Alessandro Scarlatti and George Frideric Handel. L'estro armonico was a resounding success all over Europe.
Meanwhile Vivaldi started his career as an opera composer as a sideline, and his first opera, Ottone in villa (RV 729) was performed at the Garzerie Theater in Vicenza in 1713 instead of Venice where he worked. In 1737, in a letter written by Vivaldi to his patron Marchese Bentivoglio, Vivaldi made reference to his "94 operas". Only around 50 operas by Vivaldi have been discovered, and no other documentation of the remaining operas exists. Although Vivaldi may have been exaggerating, it is plausible that, in his dual role of composer and impresario, he may have either written or been responsible for the production of as many as 94 operas.
In 1717 or 1718, Vivaldi was offered a prestigious new position as Maestro di Cappella of the court of prince Philip of Hesse-Darmstadt, governor of Mantua, in the northwest of Italy.
It was during this period Vivaldi wrote the famous Le quattro stagioni (Four Seasons), four violin concertos that give musical expression to the seasons of the year. Though three of the concerti are wholly original, the first, "Spring", borrows motifs from a Sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos was probably the countryside around Mantua. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, silent nights, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, ice-skating children, and warming winter fires. Each concerto is associated with a sonnet, possibly by Vivaldi, describing the scenes depicted in the music. They were published as the first four concertos in a collection of twelve, Il cimento dell'armonia e dell'inventione, Opus 8, published in Amsterdam by Michel-Charles Le Cène in 1725. , governor of Mantua, in the northwest of Italy. He moved there for three years and produced several operas, among them Tito Manlio (RV 738).
It was during this period in Mantua that Vivaldi wrote the Four Seasons, four violin concertos that give musical expression to the seasons of the year. Though three of the concerti are wholly original, the first, "Spring", borrows motifs from a Sinfonia in the first act of Vivaldi's contemporaneous opera Il Giustino. The inspiration for the concertos was probably the countryside around Mantua. They were a revolution in musical conception: in them Vivaldi represented flowing creeks, singing birds (of different species, each specifically characterized), barking dogs, buzzing mosquitoes, crying shepherds, storms, drunken dancers, silent nights, hunting parties from both the hunters' and the prey's point of view, frozen landscapes, ice-skating children, and warming winter fires. Each concerto is associated with a sonnet, possibly by Vivaldi, describing the scenes depicted in the music. They were published as the first four concertos in a collection of twelve, Il cimento dell'armonia e dell'inventione, Opus 8, published in Amsterdam by Michel-Charles Le Cène in 1725.
Apart from prince Philip of Hesse-Darmstadt Vivaldi also received commissions from other European nobility and royalty at the height of his career.
The serenata (cantata) Gloria e Imeneo (RV 687) was commissioned in 1725 by the French ambassador to Venice in celebration of the marriage of Louis XV. The following year, another serenata, La Sena festeggiante (RV 694), was written for and premiered at the French embassy as well, celebrating the birth of the French royal princesses, Henriette and Louise Élisabeth. Vivaldi's Opus 9, La cetra, was dedicated to Emperor Charles VI. In 1728, Vivaldi met the emperor while the emperor was visiting Trieste to oversee the construction of a new port. Charles admired the music of the Vivaldi the Red Priest so much that he gave Vivaldi the title of knight, a gold medal and an invitation to Vienna.
In 1930, Vivaldi traveled to Vienna and Prague ccompanied by his father, but it was almost 10 years later he decided to leave Venice for Vienna. By then his compositions were no longer held in such high esteem as they once had been in Venice as changing musical tastes quickly made them outmoded, and Vivaldi chose to sell off sizeable numbers of his manuscripts at paltry prices to finance his migration to Vienna.
Shortly after his arrival in Vienna, however, Charles VI died, which left the composer without any royal protection or a steady source of income. Less than a year later, Vivaldi died in July 1741, aged 63.
During his lifetime, Vivaldi was popular in many countries throughout Europe, including France, but after his death his popularity dwindled. After the end of the Baroque period, Vivaldi's published concerti became relatively unknown, and were largely ignored. Even his most famous work, The Four Seasons, was unknown in its original edition during the Classical and Romantic periods.
A composition by Vivaldi is identified by RV number, which refers to its place in the "Ryom-Verzeichnis" or "Répertoire des oeuvres d'Antonio Vivaldi", a catalog created in the 20th century by the musicologist Peter Ryom.
The violin concerto Four Seasons of 1723, part of Il cimento dell'armonia e dell'inventione ("The Contest between Harmony and Invention"), is Antonio Vivaldi's most famous work, it depicts moods and scenes from each of the four seasons. This work has been described as an outstanding instance of pre-19th century program music.
Vivaldi wrote more than 500 other concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin. About forty concertos are for two instruments and strings, and about thirty are for three or more instruments and strings.
As well as about 46 operas, Vivaldi composed a large body of sacred choral music, such as Magnificat. Other works include sinfonias, about 90 sonatas and chamber music.
Vivaldi's music was innovative. He brightened the formal and rhythmic structure of the concerto, in which he looked for harmonic contrasts and innovative melodies and themes.
Johann Sebastian Bach was deeply influenced by Vivaldi's concertos and arias (recalled in his St John Passion, St Matthew Passion, and cantatas). Bach transcribed six of Vivaldi's concerti for solo keyboard: three for organ, and one for four harpsichords, strings, and basso continuo (BWV 1065) based upon the concerto for four violins, two violas, cello, and basso continuo (RV 580).
Name: Cecil Beaton
birth place: London England
birth date: 14 January 1904
zodiac sign: Capricorn
death place: Wiltshire England
death date: 18 January 1980
Biography of Cecil Beaton
Sir Cecil Walter Hardy Beaton CBE (14 January 1904 – 18 January 1980) was an English fashion, portrait and war photographer, diarist, painter, interior designer and an Oscar–winning stage and costume designer for films and the theatre.
When Beaton was growing up his nanny had a Kodak 3A Camera, a popular model which was renowned for being an ideal piece of equipment to learn on. Beaton's nanny began teaching him the basics of photography and developing film. He would often get his sisters and mother to sit for him. When he was sufficiently proficient, he would send the photos off to London society magazines, often writing under a pen name and ‘recommending’ the work of Beaton.
Beaton attended Harrow School, and then, despite having little or no interest in academia, moved on to St John's College, Cambridge, and studied history, art and architecture. Beaton continued his photography, and through his university contacts managed to get a portrait depicting the Duchess of Malfi published in Vogue. It was actually George "Dadie" Rylands – "a slightly out-of-focus snapshot of him as Webster's Duchess of Malfi standing in the sub-aqueous light outside the men's lavatory of the ADC Theatre at Cambridge."
Since 1927, Cecil Beaton started to work for American Vogue regularly and he is known for his fashion photographs and society portraits. Besides working as staff photographer for Vogue and Vanity Fair he also photographed celebrities in Hollywood.
In the 1930s, Cecil Beaton returned to England, where he became leading war photographer with the recommendation of the Queen, and also the photographer of the royal family on many occasions, including Duke and duchess of Windsor's wedding.
After the war, Beaton tackled the Broadway stage, designing sets, costumes, and lighting for a 1946 revival of Lady Windermere's Fan, in which he also acted.
His costumes for Lerner and Loewe's My Fair Lady (1956) were highly praised. This led to two Lerner and Loewe film musicals, Gigi (1958) and My Fair Lady (1964), each of which earned Beaton the Academy Award for Best Costume Design. He also designed the period costumes for the 1970 film On a Clear Day You Can See Forever.
Cecil Beaton was knighted in the 1972 New Year Honours.
Two years later he suffered a stroke that would leave him permanently paralysed on the right side of his body. Although he learnt to write and draw with his left hand, and had cameras adapted, Beaton became frustrated by the limitations the stroke had put upon his work.
As a result of his stroke, Beaton became anxious about financial security for his old age and, in 1976, entered into negotiations with Philippe Garner, expert-in-charge of photographs at Sotheby's. On behalf of the auction house, Garner acquired Beaton's archive—excluding all portraits of the Royal Family, and the five decades of prints held by Vogue in London, Paris and New York. Garner, who had almost singlehandedly invented the photographic auction, oversaw the archive's preservation and partial dispersal, so that Beaton's only tangible assets, and what he considered his life's work, would ensure him an annual income. The first of five auctions was held in 1977, the last in 1980.
By the end of the 1970s, Beaton's health had faded. He died on 18 January 1980, at Reddish House, his home in Broad Chalke, Wiltshire, four days after his 76th birthday
Gorgeously repackaged, this reissue of the classic book presents the iconic photographer’s expert and witty reminiscences of the personalities who inspired fashion’s golden eras, and left an indelible mark on his own sense of taste and style. "The camera will never be invented that could capture or encompass all that he actually sees," Truman Capote once said of Cecil Beaton. Though known for his portraits, Beaton was as incisive a writer as he was a photographer. First published in 1954, The Glass of Fashion is a classic—an invaluable primer on the history and highlights of fashion from a man who was a chronicler of taste, and an intimate compendium of the people who inspired his legendary eye. Across eighteen chapters, complemented by more than 150 of his own line drawings, Beaton writes with great wit about the influence of luminaries such as Chanel, Balenciaga, and Dior, as well as relatively unknown muses like his Aunt Jessie, who gave him his first glimpse of "the grown-up world of fashion." Out of print for decades but recognized and sought after as a touchstone text, The Glass of Fashion will be irresistible to a new generation of fashion enthusiasts and a seminal book in any Beaton library. It is both a treasury and a treasure.
This book offers five decades of Beaton's Royal portraits, capturing, in many never-before-seen photographs, the history, romance, and majestic grandeur of royalty, as well as the human side of the Royal Family
Biography of Ennio Morricone
Ennio Morricone was born in Rome on Nov. 10, 1928, and started composing film music in his early 30s, Among his best-known compositions are those for Sergio Leone's The Good, the Bad and the Ugly (1966) and Once Upon a Time in the West (1968), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987), Giuseppe Tornatore's Cinema Paradiso(1988) and Steve Zissou's The Life Aquatic (2004).
In more than half decade, Ennio has composed for more 500 films and tv series, as well as standalone concertos. In an interview conducted in 1984, he was asked about his favorite music score and theme, but he said it was very hard to say, every one of them was like his daughter, but he did admit the most difficult one he ever worked on was the music score for The Red Rock, and he thought the most beautiful one was for Once Upon a Time in the West.
This same mismatchedness happened for the films of other genres he worked for, such as French Policier film Le Professionnel in 1981, a film of corruption and violence. The music were so beautiful and out of this world, they should be used in Epic film of nature like Luc Besson's Le Gran Bleu instead of Le Professionnel. In particular the music score Le vent, le cri.
Only in a few tv series like Marco Polo (1982), films like The Mission (1986), Cinema Paradiso (1988) as well as Malena (2000), both directed by Giuseppe Tornatore, it seemed the soul of his music and that of the film found each other.
Ennio Morricone was born in Rome on 10 Nov.,1928, and started composing film music in his early 30s, Among his best-known compositions are those for Sergio Leone's The Good, the Bad and the Ugly (1966) and Once Upon a Time in the West (1968), Roland Joffé's The Mission (1986), Brian De Palma's The Untouchables (1987), Giuseppe Tornatore's Cinema Paradiso(1988) and Steve Zissou's The Life Aquatic (2004).
In more than half century, Ennio has composed for more 500 films and tv series, as well as standalone concertos. In an interview conducted in 1984, he was asked about his favorite music score and theme, but he said it was very hard to say, every one of them was like his daughter, but he did admit the most difficult one he ever worked on was the music score for The Red Rock, and he thought the most beautiful one was for Once Upon a Time in the West.
Name: Gleb Derujinsky
Birth place: New York, U.S.
Birth date: 19 March 1925
Death place: Durango, Colorado, U.S.
Death Date: 9 June 2011
Languages: Russian, French, English
Gleb Derujinsky (19 March 1925 – 9 June 2011) was an American fashion photographer. He worked for Esquire, Look, Life, Glamour, Town and Country and The New York Times Magazine, before shooting extensively for Harper’s Bazaar. Eileen Ford, founder of Ford Models agency, described him as an “early visionary on a path that others were to follow”.
Gleb Derujinsky was born in New York City in 1925, and named after his father Gleb W. Derujinsky, an immigrant of Russian nobility who became a successful sculptor. The Derujinsky family served the Russian tsars as far back as Peter the Great, and relatives include the composer Nikolai Rimsky-Korsakov and the painter Mikhail Vrubel.
Derujinsky’s mother, the classical pianist Alexandra Micholoff Derujinsky, died in the late 1950s.
Derujinsky’s first languages were Russian and French, and he went on to learn English while enrolled at the Trinity School in New York.
In 1942, Derujinsky became a corporal in the army and stayed until after the end of World War II. His language abilities and negotiation skills contributed to his being promoted to Staff Sergeant halfway through his tours, and learned Morse Code in just 30 days
Upon his return to New York City, he opened his first photography studio with his veteran loan. By February 1948, he landed his first cover with Collier’s magazine. Shortly thereafter, he began working for Harper’s Bazaar Jr., an offshoot of Harper’s Bazaar aimed towards college-age women that became a supplement of Harper’s Bazaar. Derujinsky was retained as a freelance photographer, working alongside Richard Avedon, Lillian Bassman, and Louise Dahl-Wolfe for editors Carmel Snow and Diana Vreeland and art director Alexey Brodovitch.
Citing the great photographer Horst P. Horst as a key influence, Derujinsky photographed the Paris Spring collections from 1953-1963 and was known for his outlandish ideas and travel images taken in remote locations all over the world at time when travel, especially by air, was far from common.
“Gleb Derujinsky is an original, the Indiana Jones of the fashion photographers. He flew his own private plane to exotic places—models and edi- tors in tow. Wow, the stories that came back! His Paris collection photos nailed the vibe of people in everyday life, juxtaposed with elegance, a metaphor for his notion of Paris at the time.”
Derujinsky also freelanced for Look Magazine, Town and Country, The New York Times Magazine, Ladies’ Home Journal, Esquire, Glamour, Seventeen, Life, and Good Housekeeping.
Working extensively with Carmen Dell’Orefice and his then-wife Ruth Neumann-Derujinsky, his work also featured many of the era’s top models, from Jean Patchett and Jean Shrimpton, to Nena Von Schlebrügge and Iris Bianchi.
“It’s a tribute to Gleb Derujinsky that his best photographs for Harper’s Bazaar could be mistaken for Avedons. He spun narratives of Parisian chic and New York joie de vivre that have lost not a bit of their charm.”
Gleb Derujinsky, l'œil de la mode
Glenda Bailey, rédactrice en chef, Harper’s Bazaar.
«Je n’ai jamais confondu ses photos avec celles d’ Avedon ou qui que ce soit d’autre. Le style de Gleb était indubitablement personnel. […]
Il n’avait besoin de copier personne. Il avait sa propre vision et connaissait son équipement. Il avait sa manière à lui de voir la lumière et l’environnement.
Avec lui, j’avais le sentiment de faire partie d’une vision sortie de son esprit et qu’il réalisait dans une photographie.»
Carmen Dell’Orefice, mannequin.
Maya Mikhailovna Plisetskaya (20 November 1925 – 2 May 2015) was a Soviet ballet dancer, choreographer, ballet director, and actress. In post-Soviet times, she held both Lithuanian and Spanish citizenship. She danced during the Soviet era at the Bolshoi Theatre under the directorships of Leonid Lavrovsky, then of Yury Grigorovich; later she moved into direct confrontation with him. In 1960 when Galina Ulanova, another famed Russian ballerina retired, Plisetskaya became prima ballerina assoluta of the company.
Her early years were marked by political repression and loss. Her father Mikhail Plisetski, a Soviet official, was arrested in 1937 and executed in 1938, during the Great Purge. Her mother actress Rachel Messerer was arrested in 1938 and was imprisoned for a few years, then held in a concentration camp together with her infant son. Maya was adopted by their aunt Sulamith Messerer, principal dancers of the Bolshoi.
Plisetskaya studied ballet at The Bolshoi Ballet School from age nine, and she first performed at the Bolshoi Theatre when she was eleven. She studied ballet under the direction of Elizaveta Gerdt and also her aunt, Sulamith Messerer.
Graduating in 1943 at the age of eighteen, she joined the Bolshoi Ballet company, quickly rising to become their leading soloist. As a soloist, Plisetskaya created a number of leading roles, including Juliet in Lavrovsky’s Romeo and Juliet; Phrygia in Yakobson’s Spartacus (1958); in Grigorovich’s ballets: Mistress of the Copper Mountain in The Stone Flower (1959); Aurora in The Sleeping Beauty (1963); Mahmene Banu in The Legend of Love (1965); Alberto Alonso’s Carmen Suite (1967), written especially for her; and Maurice Bejart’s Isadora (1976). As an artist she had an inexhaustible interest in new roles and dance styles, and she liked to experiment on stage.
Among her most acclaimed roles were Kitri in Don Quixote, Odette-Odile in Swan Lake and The Dying Swan. Her interpretation of The Dying Swan, a short showcase piece made famous by Anna Pavlova, became her calling card. Plisetskaya was known for the height of her jumps, her extremely flexible back, the technical strength of her dancing, and her charisma. She excelled both in adagio and allegro, which is very unusual in dancers.
Despite her acclaim, Plisetskaya was not treated well by the Bolshoi management and she was not allowed to tour outside the country for sixteen years, concerning about her defection due to her family history. Then in 1959, Plisetskaya wrote to the Soviet Premier Nikita Khrushchev “a long and forthright expression of her patriotism and her indignation that it should be doubted.” and he finally decided to lift her travel ban.
Since then, for the next 3 decades, with the international exposure she long deserved, Maya Plisetskaya changed the world of ballet. She set a higher standard for ballerinas, both in terms of technical brilliance and dramatic presence.
After performing in Spartacus during her 1959 U.S. debut tour, Maya Plisetskaya was rated second only to Galina Ulanova by Life magazine in its issue featuring the Bolshoi. And Spartacus became a significant ballet for the Bolshoi, with one critic describing their "rage to perform", personified by Plisetskaya as ballerina, "that defined the Bolshoi."
With just a few years of travelling outside Russia, Maya Plisetskaya became “an international superstar” and a continuous “box office hit throughout the world,” and she was treated by the Soviet Union as a favoured cultural emissary.
Although she toured extensively during the same years that other prominent dancers defected, including Rudolf Nureyev, Natalia Makarova, and Mikhail Baryshnikov, Plisetskaya always return to Russia.
Fashion designers Yves Saint Laurent and Pierre Cardin considered Plisetskaya one of their inspirations, with Cardin alone having traveled to Moscow over 30 times just to see Plisetskaya perform, and she credits Cardin's costume designs for the success and recognition she received for her ballets of Anna Karenina(1974), The Seagull (1980), and Lady with the Lapdog(1985).
Plisetskaya recalls Cardin's reaction when she initially suggested he design one of her costumes: "Cardin's eyes lit up like batteries. As if an electrical current passed through them." Within a week Cardin had created a design for Anna Karenina, and over the course of her career he created ten different costumes for just Karenina.
Maya Plisetskaya married composer Rodion Shchedrin in 1958, who later wrote many music scores for her ballets, such as Carmen Suite created by Cuban choreographer Alberto Alonso in 1966, and later Anna Karenina(1974), The Seagull (1980), and Lady with the Lapdog(1985) seperately.
In the 1980s, Plisetskaya and her husband Shchedrin spent time abroad extensively, where she worked for some of the world's most important ballet companies. In 1983–84, She was ballet director of the Rome Opera, and from 1987 to 1990, she was artistic director of Ballet del Teatro Lirico Nacional in Madrid.
In 1990, Maya Plisetskaya retired as a soloist for the Bolshoi at age 65 and the next year she published her autobiography, I, Maya Plisetskaya.
Beginning in 1994, she presided over the annual international ballet competition in Saint Petersburg, called Maya. In 1996 she was named the President of the Imperial Russian Ballet, Moscow private dance company and danced the Dying Swan, her signature role, at a gala in her honour in St. Petersburg.
During her long and successful career, Maya Plisetskaya had won the highest awards in Soviet Union, such as the Lenin Prize and three orders of Lenin. She was also awarded many times internationally: In France, she was decorated Chevalier of the Legion of Honour and a Commander of the Order of Arts and Letters, and made an honorary doctor of the Sorbonne University; In Spain, she was awarded the Prince of Asturias Award for the Arts in 2005 together with the Spanish ballerina Tamara Rojo, and then awarded the Spanish Gold Medal of Fine Art. And she was also awarded in other European countries like Lithuania and Poland.
In 2006, Emperor Akihito of Japan presented her with the Praemium Imperiale, informally considered a Nobel Prize for Art.
Maya Plisetskaya died in Munich, Germany, on 2 May 2015 from a heart attack. Plisetskaya was survived by her husband Rodion Shchedrin, and a brother, former dancer Azari Plisetsky, a teacher of choreography at the Béjart Ballet in Lausanne, Switzerland.
According to her last will and testament, she was to be cremated, and after the death of her husband, who is also to be cremated, their ashes are to be combined and spread over Russia.
Maya Plisetskaya, one of the world’s foremost dancers, rose to become a prima ballerina of Moscow’s Bolshoi Ballet after an early life filled with tragedy and loss. In this spirited memoir, Plisetskaya reflects on her personal and professional odyssey, presenting a unique view of the life of a Soviet artist during the troubled period from the late 1930s to the 1990s.
Plisetskaya recounts the execution of her father in the Great Terror and her mother’s exile to the Gulag. She describes her admission to the Bolshoi in 1943, the roles she performed there, and the endless petty harassments she endured, from both envious colleagues and Party officials. Refused permission for six years to tour with the company, Plisetskaya eventually performed all over the world, working with such noted choreographers as Roland Petit and Maurice Béjart. She recounts the tumultuous events she lived through and the fascinating people she met—among them the legendary ballet teacher Agrippina Vaganova, George Balanchine, Frank Sinatra, Rudolf Nureyev, and Dmitri Shostakovich. And she provides fascinating details about testy cocktail-party encounters with Khrushchev, tours abroad when her meager per diem allowance brought her close to starvation, and KGB plots to capitalize on her friendship with Robert Kennedy. Gifted, courageous, and brutally honest, Plisetskaya brilliantly illuminates the world of Soviet ballet during an era that encompasses both repression and cultural détente.
Tim Scholl(co-author) is professor of Russian language and literature at Oberlin College. Antonina W. Bouis(translator) is the prize-winning translator of more than fifty books, including fiction, nonfiction, and memoirs by such figures as Andrei Sakharov, Elena Bonner, and Dmitri Shostakovich.
Biography of Galina Sergeyevna Ulanova
Galina Sergeyevna Ulanova (8 January 1919 – 21 March 1998) was a Russian ballet dancer. She is frequently cited as being one of the greatest ballerinas of the 20th century.
Ulanova was born in Saint Petersburg, Russia, where she studied under Agrippina Vaganova and her own mother, a ballerina of the Imperial Russian Ballet. When she joined the Mariinsky Theatre in 1928, the press found in her "much of Semyonova's style, grace, the same exceptional plasticity and a sort of captivating modesty in her gestures". They say that Konstantin Stanislavsky, fascinated with her acting style, implored her to take part in his stage productions.
In 1944, when her fame reached Joseph Stalin, he had her transferred to the Bolshoi Theatre, where she would be the prima ballerina assoluta for 16 years. The following year, she danced the title role in the world premiere of Sergei Prokofiev's Cinderella.
In 1954, she published her autobiography: L'École d'une ballerine, translated from Russian into French by Jean Champenois.
Ulanova was a great actress as well as a dancer. In 1965, when she was finally allowed to tour abroad at the age of 46, enraptured British papers wrote that "Galina Ulanova in London knew the greatest triumph of any individual dancer since Anna Pavlova". Having retired from the stage at the age of 50, she coached many generations of the Russian dancers.
Ulanova was one of the few dancers to be awarded Hero of Socialist Labour and the only one to receive this honour twice. She was also awarded the highest exclusively artistic national title, People's Artist of the USSR. And she was awarded the Stalin Prize in 1941, 1946, 1947, 1950, and the Lenin Prize in 1957. She was elected a Foreign Honorary Member of the American Academy of Arts and Sciences in 1960.
She died in 1998 in Moscow, aged 88, and is buried in the cemetery of the Novodevichy Convent.
Ulanova's apartment in one of Moscow's Seven Sisters, the Kotelnicheskaya Embankment Building, is preserved now as a memorial museum. Monuments to Ulanova were erected in Saint Petersburg and Stockholm.
Original name: Charlene Lynette Wittstock
birth place: Bulawayo, Rhodesia (today Zimbabwe)
birth date: 25 January 1978
zodiac sign: Aquarius
Feet size: US 8.5
Dress size: US 6
Occupation: Athlete, Socialite
Languages: English, French
Biography of Princess Charlène
Charlène, Princess of Monaco is a former South African Olympic swimmer and currently wife of Prince Albert II of Monaco.
Charlene Lynette Wittstock was born in Bulawayo Africa and the family relocated to Transvaal Prince South Africa in 1989. Wittstock was passionate about swimming from a very young age and she gave up study to concentrate on competitive swimming and at 18 won the Championship of South Africa for juniors.
In 2000, Wittstock represented South Africa at Sydney Olympics, with her team finishing fifth in the 4 × 100 metre medley relay. Wittstock retired from competitive swimming in 2007 due to shoulder injury.
Wittstock met Prince Albert at the Mare Nostrum swimming competition in Monte Carlo, Monaco, in 2000 and they went public at the opening ceremony of the 2006 Winter Olympics in Turin, Italy.
In June 2010, Prince Albert and Charlene Wittstock announced their engagement, the future princess's engagement ring (reported to be created by Parisian jeweller Repossi) features a pear-shaped three-carat diamond at the center and round diamond brilliants surrounding it.
Since then Charlene Wittstock accompanied him on many of his official duties and engagements such as the weddings of the Crown Princess of Sweden in June 2010 and the Duke of Cambridge in 2011.
Charlene, who was raised a Protestant, converted to Roman Catholicism for the preparation of her role as royal consort, even though this is not a requirement of the Constitution of Monaco. She was also instructed in the French language and the Monégasque dialect, as well as European court protocol.
On 1 July 2011 the couple were married in a civil ceremony in the Throne Room of the Prince's Palace. Charlene wore a powder blue jacket with long dress by Chanel, cocreated by her and Karl Lagerfeld.
And the religious ceremony was held in the Palace courtyard, with the bride wearing white silk Duchesse wedding gown of Giorgio Armani Prive, with a 15-ft veil made of tulle anchored by a "Diamond Spray" tiara by Lorez Baumer that featured eleven encrusted diamond pears. The gown was embellished with 40,000 Swarovski crystals, 20,000 mother of pearl teardrops, and 30,000 stones in gold shades. It took 2,500 hours to make, with the embroidery taking 700 hours, on 130m of off-white silk.
After the wedding ceremonies, Charlene Wittstock became Her Serene Highness The Princess of Monaco replacing her mother-in-law, Grace Kelly.
After her marriage, Charlène, Princess of Monaco devoted herself increasingly to charity and humanitarian works and is involved in various organizations: Princess Charlène of Monaco Foundation, Ladies Lunch Monte-Carlo, Special Olympics, Nelson Mandela Foundation, asfAR, The Giving Organisation, and Monaco Against Autism.
“I salute Kevin Richardson and am honored to be the patron of his foundation. In an ideal world no wild animal would be kept in captivity and canned lion hunting should be declared illegal. I willingly lend my influence to rekindle respect for lions and the African wilderness, they so beautifully inhabit – in the hope that this is the ultimate guarantee of their survival.”
On 10 December 2014, Charlène, Princess of Monaco gave birth to fraternal twins Princess Gabriella and Hereditary Prince Jacques.
In 2016, Princess Charlène accepted to become the patron of the South African Red Cross Society and attended the World First Aid Day in Geneva, as ambassador of the event.
Profile of Dolores Guiness
Dolores Guiness was a German born "Freiin" (Baroness), socialite, fashion icon and jet set member of the 1950s and 1960s. She has been a member of the International Best Dressed List since 1970. Her mother was the famous Mexican-born socialite Gloria Guinness.
Biography of Dolores Guiness
Born Dolores Maria Agatha Wilhelmine Luise, Freiin von Fürstenberg-Herdringen on 31 July 1936 in Berlin-Charlottenburg, Dolores von Fürstenberg is the second daughter of Franz-Egon Maria Meinhard Engelbert Pius Aloysius Kaspar Ferdinand Dietrich, 3rd Graf von Fürstenberg-Herdringen (1896–1975) and his second wife, Gloria Guinness (1912–1980).
Though some published sources have described Dolores von Fürstenberg as a countess and a princess, she is, in fact, a Freiin (baroness) by birth, according to the last published issue of the Almanach de Gotha.
At age 19 Dolores von Fürstenberg married her stepbrother Patrick Benjamin Guinness(1931–1965), son of Loel Guinness and Joan Yarde-Buller, on 22 October 1955 in Paris. Patrick was killed in a car accident in Turtig near Raron, Switzerland 1965.
After Patrick's death Dolores fell madly in love with Karim Aga Khan, the son of Joan Barbara Yarde-Buller (1908–1997) by her marriage to Aly Khan (1911–1960), and wanted to marry him, but nothing came of that eventually.
Dolores was often seen in Vogue, Harper's Bazaar, Town and Country and Life magazine dressed in designer clothes from Givenchy, Christian Dior, Yves Saint Laurent and Balenciaga during the 1950s and 1960s, photographed by Cecil Beaton, Bert Stern, Henry Clarke, Mark Shaw, Richard Avedon and William Klein. She often appeared on the International Best Dressed List during these years.
Dolores Guinness died in Lausanne Switzerland on 20 January 2012, at the age of 75.
Fiona Campbell-Walter (born Fiona Frances Elaine Campbell-Walter) was born on 25 June 1932 in Auckland, New Zealand.
In the 1950s, Fiona was one of the most famous and photographed models, as the favorite muse of Cecil Beaton, she was also the protagonist under the camera of other famed photographers like Henry Clarke, John French, David Bailey, Norman Parkingson etc.
As one of the top models of her day, she did not just appear in the major women's magazines like Vogue, but also the salons of the top Couturiers like Christian Dior, and Jacques Fath and Elsa Schiaparelli.
1956: Baroness von Thyssen
On 17 September 1956, in a small Italian village of Castagnola, Fiona was married to Baron Hans Henrik Agost Gabor Tasso Friherr Thyssen-Bornemisza de Kaszon et Imperfalva, mostly known as Heini von Thyssen, who was heir to a fortune made from steel and arms, and a major art collector whose collection was said to be second only to Queen Elizabeth II.
After her marriage, she lived with her husband in Villa Favorita beside Lake of Lugano, a life of elegance, culture and power. She had two children with Heini von Thyssen, one daughter named Francesca in 1958, and a son Lorne in 1963, and not long afterwards, she divorced her husband and moved to London with her two children.
Since 1969, Fiona was involved romantically with Alexandre Onassis, the son of Aristote Onassis. who tried to stop the love affair because Fiona was 16b years older than his son Alexandre, but after the death of Alexandre in January 1973, he realized the two never really parted.
Named the most beautiful model of Vogue, Fiona Campbell-Walter had a relative short career, mostly in the 1950s before her marriage, and occassionlly in the 1960s after her divorce, but she remained one of the greatest British models in that epoque, together with Barbara Goalen and Anne Gunning.
And during her short career, Fiona von Thyssen, she has worked with most of the greatest photographers of her time:Henry Clarke, John Deakin, Frances McLaughlin-Gilln, John French, Norman Parkinson, Milton Greene, Georges Dambier, Cecil Beaton and David Bailey.
Biography of Gloria Vanderbilt
1925: A 5 million dollar baby
Gloria Vanderbilt (with full name Gloria Laura Madeleine Sophie Vanderbilt) was born in New York on 20 February 1924, into the wealthiest family in America, whose Patriarch Cornelius Vanderbilt (1794-1877), her great-great grandfather made his enormous fortune from steamship and railroad and left behind about 200 million dollars.
Her father, Reginald Claypoole Vanderbilt (1880–1925), unfortunately, was a gambler and an alcoholic, who died of liver disease when Gloria was not yet 2 years old, and left her with 5 million dollar in trust fund (67 million dollar in today's value).
1925-1933: A movable feast in Europe
Her mother, Gloria Mogan(1904-1965), the twin sister of Thelma Furness(who was ex-lover of Edward VIII when he was Prince of Wales), took Little Gloria to Paris to live. And from then on, they(or rather her mother Gloria Mogan) live like wealthy Gypsies, in a permanent movable feast, from Paris to London to Cannes and back to Paris again, and Little Gloria stayed with her loyal nanny Emma Sullivan Kieslich more than with her own mother.
1934: Trial of Century
The idyllic life as an European exile came to a halt for Gloria Mogan, when her mother was upset about the social life of her daughter and concerned about the future of her granddaughter little Gloria, and decided to enlist the help of the latter's aunt, Gertrude Vanderbilt Whitney, thus triggering the most scandalous war of custody of the 20 century.
The testimony would become so off colour that the judge had to close the door of the courtroom to the public, but the damage has been done. Gloria Vanderbilt would be forever called "The poor little rich girl".
When it finally ended, Gloria Mogan lost the custody of her daughter who would be living with her aunt Gertrude for the next seven years in the latter's Long Island Estate.
1941: From Long Island to Hollywood
It seems that deep in her heart, Gloria Vanderbilt was her mother's daughter, aspiring for life and freedom, and her aunt Gertrude's way of raising her up was perhaps too much for her.
At age of 17, she decided to leave her aunt to go to Hollywood. There, she met the very handsome and very rich Howard Hughes. she wanted to marry him.
But instead she married his press secretary, Pasquale DiCicco, and her aunt Gertrude was so angry about the news that she disinherited Gloria.
And the marriage was not a happy one, full of physical abuses and violence from her husband. So four years later, Gloria divorced him, walking out of the marriage not only happier, but richer, as she came into her $5 million trust fund.
And she was in love.
The new man in her life was Leopold Stokowski, a man of music, a British conductor of Polish origin. Although more than 40 years older than her, he was also a man of passion, and they got married just a few weeks after Gloria's divorce.
And it was thanks to him, Gloria Vanderbilt discovered her love in art and decided to nurture her talent by painting, writing poetry and studying at The Art Students League of New York, then embarked on a short career in acting, on Broadway as well as in television dramas, she also became mother of two sons: Stan Stokowski and Christopher Stokowski.
After 10 year of marriage with Leopold Stokowski, Gloria decided to divorce him after a short affair with Frank Sinatra.
And she did not stay divorced for long.
1956: third time in a row
In 1956, Gloria Vanderbilt Married Sidney Lumet, a television then film director. Their marriage lasted for 7 years but they remained friends all their life.
1963: love of her life
Then Gloria met screenwriter Wyatt Cooper.
They married in 1963, and Gloria would stay in this marriage until death took her husband away.
To Gloria Vanderbilt, Wyatt Cooper was the love of her life, her soul mate.
And the father of her children.
Gloria had longed to become mother again, and Cooper made her dream come true by giving her two beautiful sons: Carter Cooper and Anderson Cooper. It also made Gloria Vanderbilt discover another wonderful side of Cooper:
“We had the family life that I’d always wanted,” Vanderbilt said. “He made me understand what it would have been like to have had a father – he was a most amazing father. I’d never experienced anything like it.”
The marriage was also very inspiring for Gloria's sense of creativity. She got the idea of designing her own brand of jeans, by making the high-end Italian jeans she herself wore more affordable and fit better. It was huge success, so successful that she became "the duchess of denim" or "queen of jean", and later would branch out into other areas including scarves, shoes, table and bed linen and even china.
While life gave her glory, it was also waiting to bring her tragedy. After 15 year of happy marriage, in 1978 Gloria lost her husband Wyatt Cooper to heart attach on operating table.
She never married again.
Ten years later, in 1988, she would have to live through another devastating tragedy: her first son with Wyatt Cooper, Carter Cooper would jump out of her apartment, killing himself.
She survived again, and wrote a book to deal with her pain years later.
2000s: warrior of society
After living so much and seeing it all, Gloria Vanderbilt continued to live more fully: she dined and danced and designed, she painted and exhibited her works, and she wrote, and wrote, and wrote. Nothing seemed taboo for her, not even erotica. In 2009, she wrote an erotic novel Obsession, and she was not shamed about it, either.
“I don’t think age has anything to do with what you write about. The only thing that would embarrass me is bad writing, and the only thing that really concerned me was my children. You know how children can be about their parents. But mine are very intelligent and supportive."
2016: The rainbow comes and goes
Anderson Cooper, Gloria Vanderbilt's younger son she had with her last husband Wyatt Cooper, had always had close relationship with her mother. But as a prominent journalist and news anchor for CNN who had extremely busy schedule and a public figure who was private about his personal life, there are things mother and son either do not have time to talk or choose not to talk.
Until one day, Anderson Cooper decided that he wanted to ask his mother things he did not ask before, tell her thing he did not tell her before. They sat down, talked, and it opened the door to his mother's memory. They made the conversations into written word, to record, to remember, to love.
Gloria Vanderbilt died at her home in Manhattan on June 17, 2019 of stomach cancer earlier in the month. She would be buried next to her son Carter Cooper and last husband Wyatt Cooper.