1948. Florida.

Key Largo is a 1948 American film noir crime drama directed by John Huston and starring Humphrey Bogart, Edward G. Robinson and Lauren Bacall.

Army veteran Frank McCloud (Humphrey Bogart) arrives at the Hotel Largo in Key Largo, Florida, visiting the family of George Temple, a friend who served under him and was killed in the Italian campaign several years before. He meets with the friend's widow Nora Temple (Lauren Bacall) and father James (Lionel Barrymore), who owns the hotel. There he is confronted with a gangster Johnny Rocco (Edward G. Robinson) and his group who force him to help them escape to Cuba. Frank manages to kill the gang members one by one and heads back to Key Largo, and Nora.

In the film, Lauren Bacall's only outfit is a white shirt wearing with a woolen circle skirt hitting at her calf, and a pair of Spanish style espadrilles. 

The white shirt, designed by Leah Rhodes, with pointed collars and one chest pocket, accompanies Lauren Bacall on her emotional journey as Nora with Frank on screen, as well as her time onsite as Bacall with Bogard off screen. 

Key Largo was the fourth and final film Lauren Bacall made with her husband Humphrey Bogart. Her white shirt, as well as that worn by Bogart coordinating perfectly with hers, is like a symbol of connection between the two stars who are lovers both on screen and off screen.

Orry-Kelly (31 December 1897 – 27 February 1964) was born as Orry George Kelly in the New South Wales coastal town of Kiama, about 80 miles south of Sydney, in 1897, and he was sent to Sydney at age 17 to study banking, where he developed his interest in theatre. 

In 1923, he went to New York(where he met his then room mate as well as claimed lover Cary Grant), hoping to become actor but instead working for odd jobs with his drawing talent, until finding job to dress Broadway actresses including Katharine Hepburn.

In 1932 Kelly started working in Hollywood as costume designer of Warner Brothers, and in the following 30 years Kelly worked in more than 280 films, became one of the most important costume designers of Golden Hollywood, alongside Travis Banton and Gilbert Adrian, winning 3 Oscars(1951: An American in Paris; 1957: Les girls; 1959: Some like it hot) and was nominated for another film in which he designed the costumes: Gympsy(1962). Although his name was most closely associated with stars like Kay Francis, Dolores del Rio and Bette Davis, for whom he created costumes in more than 30 films, many of Kelly's most iconic designs for Hollywood are those he created for next generation of Hollywood stars like Ingrid Bergman, Ava Gardner, Marilyn Monroe and Natalie Wood, and were created after he did not work for Warner Brothers anymore.

Articles

ORRY-KELLY: WOMEN HE’S UNDRESSED

Book

Video

In 1928, British painter Meredith Frampton RA (17 March 1894 – 16 September 1984) painted the portrait of a woman in white dress, which features bateau neckline, short sleeves, and column silhouette. 

In 1935, when he painted Portrait of A Young Woman, Frampton not only had several of the objects in the painting made specially for the painting, his mother also made the dress worn by the model, Margaret Austin-Jones, which is a floor-length silk dress in ivory color with a pale pink wrap top.

Meredith Frampton was born in the St John's Wood area of London and was the only child of the sculptor Sir George Frampton and his wife, the painter Christabel Cockerell. Frampton was educated at Westminster School and went on to attend the Royal Academy Schools between 1912 and 1915, where he won both a first prize and a silver medal.

During the First World War, Frampton served in the British Army, and after the war Frampton resumed his artistic career and established himself as among the most highly regarded of British painters during the period. Frampton painted portraits of the Duke of York, who was to become King George VI, academics and scientists, and a series of full length portraits of women from fashionable society.  

In the 1950s, as his eyesight worsened, Frampton and his wife moved to a hilltop house overlooking Monkton Deverill in Wiltshire. Frampton had designed the property in the 1930s and for the rest of his life he worked on improving and maintaining this house, which included his own furniture and clock designs.

For many years Frampton's art was rarely shown in public and he was largely forgotten. However, he lived to see his retrospective at the Tate in 1982. It was his first one-man show and greatly restored his standing. Now Frampton's work is on display at the National Portrait Gallery, Tate Gallery and Imperial War Museum.