Baron George Hoyningen-Huene (September 4, 1900 – September 12, 1968) was a fashion photographer of the 1920s and 1930s. He was born in the Russian Empire to Baltic German and American parents and spent his working life in France, England and the United States.
Born in Saint Petersburg, Russia on September 4, 1900, George Hoyningen-Huene was the only son of Baron Barthold Theodor Hermann (Theodorevitch) von Hoyningen-Huene (1859-1942), a Baltic nobleman, military officer and lord of Navesti manor (near Võhma), and his wife, Emily Anne "Nan" Lothrop (1860-1927), a daughter of George Van Ness Lothrop, an American minister to Russia. He had two sisters. Helen (died 1976) became a fashion designer in France and the United States, using the name Helen de Huene. Elizabeth (1891-1973), also known as Betty, also became a fashion designer (using the name Mme. Yteb in the 1920s and 1930s).
During the Russian Revolution, George Hoyningen-Huene's family estates were confiscated by the government and the family fled first to London, and later to Paris.
Since his early childhood, George Hoyningen-Huene showed his interest in art like painting and ballet, and Paris nourished his love of art. He studied painting with French cubist painter André Lhote(1885-1962) whose student included the polish painter Tamara de Lempicka.
But the young George Hoyningen-Huene was thirsty for more, and was increasingly fascinated by the new art form - cinema, which was born in Paris. He liked it so much that he even offered himself as extras in some films. It was from films that he learned the dramatic lighting which he would later used on his photography.
Eventually his love of visual art and French haute couture landed him jobs in French Vogue. He first worked as photographer's assistant, but a few years later, by 1925 George had worked his way up to chief of photography of the French Vogue where he was mentor to up-and-coming photographers including François Tuefferd.
In 1930 he met Horst P. Horst, the future photographer, who became his lover and frequent model. Influenced by George Hoyningen-Huene, Horst P. Horst later also became photographer, and he began his association with Vogue, publishing his first photograph in the French edition in November 1931
In winter of 1931, they traveled to England together. While there, they visited photographer Cecil Beaton, who was working for the British edition of Vogue.
In 1935 Hoyningen-Huene moved to New York City where he did most of his work for Harper's Bazaar. But he did not enjoy the same success he had while working with French Vogue.
A few years later, Hoyningen-Huene relocated to Hollywood, where he worked much less in fashion photography, but rather earned his living by shooting glamorous portraits for Hollywood stars and other celebrities. Some of the subjects photographer by him included hollywood film stars like Ingrid Bergman, Greta Garbo, Katherine Hepburn, Ava Gardner, Cary Grant, Gary Cooper, Charile Chaplin, James Cagney, artists such as painter Salvador Dali, ballet dancer Felia Doubrovska, writer Janet Flanner, and composers Kurt Weill and Igor Stravinsky, and celebrities including Duke of Windsor, Gloria Vanderbilt, Lady Mendl, etc.
Besides portrait photograph, Hoyningen-Huene also worked in various capacities in the film industry. He had worked closely with George Cukor, notably as special visual and color consultant for the latter's first Technicolor film, the 1954 Judy Garland movie A Star Is Born. He served a similar role for the 1957 film Les Girls, which starred Kay Kendall and Mitzi Gaynor, the Sophia Loren film Heller in Pink Tights, and The Chapman Report.
He was also a teacher. He started teaching at University of California since 1947 until the time of his death.
George Hoyningen-Huene died of heart attach at 68, in Los Angeles.
Profoundly influenced by art, both classic and surreal art, and French cinema, George Hoyningen-Huene developed his own unique style of photography which is elegant, yet dramatic and mysterious. Some of the most distinguished Vogue photographers such as Irving Penn, Horst P. Horst, Richard Avedon were all influenced by his style.
Although died at young age, George Hoyningen-Huene has left a great legacy behind him, in the form of a large archive of fashion and portrait photographes which still mesmerize us today, as well as several books he wrote about visual art and beauty of various cultures.
Georges-Eugène Haussmann, commonly known as Baron Haussmann (27 March 1809 – 11 January 1891), was a French official who served as prefect of Seine (1853–1870), chosen by Emperor Napoleon III to carry out a massive urban renewal programme of new boulevards, parks and public works in Paris commonly referred to as Haussmann's renovation of Paris. Critics forced his resignation for extravagance, but his vision of the city still dominates central Paris.
Georges Eugène Haussmann, communément appelé le baron Haussmann, né le 27 mars 1809 à Paris et mort le 11 janvier 1891 dans la même ville, est un haut fonctionnaire et homme politique français.
Préfet de la Seine de 1853 à 1870, il a dirigé les transformations de Paris sous le Second Empire en approfondissant le vaste plan de rénovation établi par la commission Siméon, qui vise à poursuivre les travaux engagés par ses prédécesseurs à la préfecture de la Seine, Rambuteau et Berger. Les transformations sont telles que l'on parle de bâtiments « haussmanniens » pour les nombreux édifices construits le long des larges avenues percées dans Paris sous sa houlette, les travaux réalisés ayant donné à l'ancien Paris médiéval le visage qu'on lui connait aujourd'hui.
Georges-Eugène Haussmann was born on 27 March 1809, at 53 Rue du Faubourg-du-Roule, in the Beaujon neighbourhood of Paris, the son of Nicolas-Valentin Haussmann and of Ève-Marie-Henriette-Caroline Dentzel, both of German families. His paternal grandfather Nicolas was a deputy of the Legislative Assembly and National Convention, an administrator of the department of Seine-et-Oise and a commissioner to the army. His maternal grandfather was a general and a deputy of the National Convention: Georges Frédéric Dentzel, a baron of Napoleon's First Empire.
He began his schooling at the Collège Henri-IV and at the Lycée Condorcet in Paris, and then began to study law. At the same time, he studied music as a student at the Paris Conservatory, as he was a talented musician. Haussmann joined his father as an insurgent in the July Revolution of 1830, which deposed the Bourbon king Charles X in favor of his cousin, Louis Philippe, Duke of Orléans.
He was married on 17 October 1838 in Bordeaux to Octavie de Laharpe. They had two daughters: Henriette, who married the banker Camille Dollfus in 1860, and Valentine, who married Vicomte Maurice Pernéty, the chief of staff of his department, in 1865. Valentine divorced Pernéty in 1891. She then married Georges Renouard (1843–1897).
On 21 May 1831, Haussmann began his career in public administration. Despite proving himself as a hard worker and able representative of the government, his arrogance, dictatorial manner, and habit of impeding his superiors led to his being continually passed over for promotion.
Only after the 1848 Revolution swept away the July Monarchy, establishing the Second Republic in its place, did Haussmann's fortunes change. Louis-Napoleon Bonaparte, the nephew of Napoleon Bonaparte, became the first elected president of France in 1848. Haussmann travelled to Paris in January 1849 to meet the Minister of the Interior and the new president. He was deemed to be a loyal holdover from the civil service of the July Monarchy, and shortly after their meeting Louis Napoléon granted Haussmann a promotion to prefect of the Var Department at Draguignan.
In 1850, Louis Napoléon started an ambitious project to connect the Louvre to the Hôtel de Ville in Paris by extending the Rue de Rivoli and create a new park, the Bois de Boulogne, on the outskirts of the city, but he was exasperated by the slow progress made by the incumbent prefect of the Seine, Jean-Jacques Berger. Louis-Napoleon was highly popular, but he was blocked from running for re-election by the constitution of the Second French Republic. At the end of December 1851, he staged a coup d'état, and in 1852 declared himself Emperor of the French under the title Napoleon III, and he soon began searching for a new prefect of the Seine to carry out his Paris reconstruction program.
The emperor's minister of the interior, Victor de Persigny, interviewed the prefects of Rouen, Lille, Lyon, Marseille and Bordeaux for the Paris post. In his memoirs, he described his interview with Haussmann, then prefect of the Gironde out of Bordeaux:
"It was Monsieur Haussmann who impressed me the most. It was a strange thing, but it was less his talents and his remarkable intelligence that appealed to me, but the defects in his character. I had in front of me one of the most extraordinary men of our time; big, strong, vigorous, energetic, and at the same time clever and devious, with a spirit full of resources. This audacious man wasn't afraid to show who he was. ... He told me all of his accomplishments during his administrative career, leaving out nothing; he could have talked for six hours without a break, since it was his favourite subject, himself. I wasn't at all displeased. ... It seemed to me that he was exactly the man I needed to fight against the ideas and prejudices of a whole school of economics, against devious people and skeptics coming from the Stock Market, against those who were not very scrupulous about their methods; he was just the man. Whereas a gentleman of the most elevated spirit, cleverness, with the most straight and noble character, would inevitably fail, this vigorous athlete ... full of audacity and skill, capable of opposing expedients with better expedients, traps with more clever traps, would certainly succeed. I told him about the Paris works and offered to put him in charge."
Persigny sent Haussmann to Napoleon III who made him prefect of the Seine on 22 June 1853, which post Haussmann held until 1870.
On 29 June, the emperor gave him the mission of making the city healthier, less congested and grander.
Napoleon III and Haussmann launched a series of enormous public works projects in Paris, hiring tens of thousands of workers to improve the sanitation, water supply and traffic circulation of the city. Napoleon III installed a huge map of Paris in his office, marked with coloured lines where he wanted new boulevards to be.
For the nearly two decades of Napoleon III's reign, and for a decade afterwards, most of Paris was an enormous construction site.
Beginning in 1854, in the centre of the city, Haussmann's workers tore down hundreds of old buildings and cut eighty kilometres of new avenues, connecting the central points of the city. Buildings along these avenues were required to be the same height and in a similar style, and to be faced with cream-coloured stone, creating the uniform look of Paris boulevards. Victor Hugo mentioned that it was hardly possible to distinguish what the house in front of you was for: theatre, shop or library. Haussmann managed to rebuild the city in 17 years.
The reconstruction of the centre of Paris was the largest such public works project ever undertaken in Europe, for which Haussmann spent 2.5 billion francs. never before had a major city been completely rebuilt when it was still intact; London, Rome, Copenhagen and Lisbon had been rebuilt after major fires or earthquakes.
To thank Haussmann for his work, Napoleon III proposed in 1857 to make Haussmann a member of the French Senate and to give him an honorary title, as he had done for some of his generals. Haussmann asked for the title of baron, which, as he said in his memoirs, had been the title of his maternal grandfather, Georges Frédéric, Baron Dentzel, a general under the first Napoleon, of whom Haussmann was the only living male descendant. According to his memoirs, he joked that he might consider the title aqueduc (a pun on the French words for 'duke' and 'aqueduct') but that no such title existed. This use of baron, however, was not officially sanctioned, and he remained, legally, Monsieur Haussmann.
During the first half of the reign of Napoleon III, the French legislature had very little real power; all decisions were made by the Emperor. Beginning in 1860, however, Napoleon decided to liberalise the Empire and give the legislators real power. The members of the opposition in the parliament increasingly aimed their criticism of Napoleon III at Haussmann, criticising his spending and his high-handed attitude toward the parliament.
The republican opposition to Napoleon III won many parliamentary seats in the 1869 elections, and increased its criticism of Haussmann. Napoleon III gave in to the criticism and named an opposition leader and fierce critic of Haussmann, Emile Ollivier, as his new prime minister. Haussmann was invited to resign. Haussmann refused to resign, and was relieved of his duties by the Emperor on 5 January 1870 in order to improve Napoleon III's own flagging popularity.
Six months later, during the Franco-German War, Napoleon III was captured by the Germans, and the Empire was overthrown.
In his memoires, Haussmann had this comment on his dismissal: "In the eyes of the Parisians, who like routine in things but are changeable when it comes to people, I committed two great wrongs; over the course of seventeen years I disturbed their daily habits by turning Paris upside down, and they had to look at the same face of the Prefect in the Hotel de Ville. These were two unforgivable complaints."
After the fall of Napoleon III, Haussmann spent about a year abroad, but he re-entered public life in 1877, when he became Bonapartist deputy for Ajaccio. His later years were occupied with the preparation of his Mémoires (three volumes, 1890–1893).
Some of the contemporary critics of Haussmann softened their views over time. Jules Simon, an ardent republican, and a fierce critic of Haussmann in the parliament, wrote of Haussmann in the Gaulois in 1882: "He tried to make Paris a magnificent city, and he succeeded completely. When he took Paris in hand and managed our affairs, rue Saint-Honore and rue Saint-Antoine were still the largest streets in the city. We had no other promenades than the Grands Boulevards and the Tuileries; the Champs-Élysées was most of the time a sewer; the Bois-de-Boulogne was at the end of the world. We were lacking water, markets, light, in those far-off times, which are only thirty years past. He demolished neighbourhoods- one could say, entire cities. They cried that he would create a plague; he let us cry and, on the contrary, through his intelligent piercing of streets, he gave us air, health and life. Here he created a street; there he created an avenue or a boulevard; here a Place, a Square; a Promenade. Out of emptiness he made the Champs-Élysées, the Bois de Boulogne, de the Bois de Vincennes. He introduced, into his beautiful capital, trees and flowers, and populated it with statues."
Haussmann died in Paris on 11 January 1891 at age 82 and was buried in Père Lachaise Cemetery. His wife, Louise-Octavie de la Harpe, had died just eighteen days earlier. At the time of their deaths, they had resided in an apartment at 12 rue Boissy d'Anglas, near the Place de la Concorde. The will transferred their estate to the family of their only surviving daughter, Valentine Haussmann.
Haussmann's plan for Paris inspired the urban planning and creation of similar boulevards, squares and parks in Cairo, Buenos Aires, Brussels, Rome, Vienna, Stockholm, Madrid, and Barcelona. After the Paris International Exposition of 1867, William I, the King of Prussia, carried back to Berlin a large map showing Haussmann's projects, which influenced the future planning of that city. His work also inspired the City Beautiful Movement in the United States. Frederick Law Olmsted, the designer of Central Park in New York, visited the Bois de Boulogne eight times during his 1859 study trip to Europe. The American architect Daniel Burnham borrowed liberally from Haussmann's plan and incorporated the diagonal street designs in his 1909 Plan of Chicago.
Georges Eugène Haussmann naît à Paris le 27 mars 1809 au 53, rue du Faubourg-du-Roule, dans le quartier Beaujon. Il est le fils de Nicolas-Valentin Haussmann (1787-1876), protestant, commissaire des guerres et intendant militaire de Napoléon Ier, et d'Ève-Marie-Henriette-Caroline Dentzel. Par sa mère, il est le petit-fils du général et député de la Convention Georges Frédéric Dentzel, baron d'Empire, et, par son père, le petit-fils de Nicolas Haussmann (1760-1846), député de l'Assemblée législative et de la Convention, administrateur du département de Seine-et-Oise, commissaire aux armées.
Il fait ses études au lycée Condorcet à Paris puis entame un cursus de droit tout en étant élève au conservatoire de musique de Paris.
Il est sous-préfet de Nérac en Lot-et-Garonne le 9 octobre 1832). En poste à Nérac, il fréquente la bourgeoisie bordelaise, au sein de laquelle il rencontre Louise Octavie de Laharpe, avec laquelle il se marie le 17 octobre 1838 à Bordeaux. Ils ont deux filles : Henriette, qui épouse en 1860 Camille Dollfus, homme politique, et Valentine, qui épouse en 1865 le vicomte Maurice Pernety, chef de cabinet du préfet de la Seine, puis, après son divorce (1891), Georges Renouard (1843-1897), fils de Jules Renouard. Il a une autre fille, Eugénie (née en 1859), de sa relation avec l'actrice Francine Cellier (1839-1891), et descendance.
Sous l'administration d'Haussmann, les travaux et projets girondins ont été importants.
Présenté à Napoléon III par Victor de Persigny, ministre de l'Intérieur, il devient préfet de la Seine le 22 juin 1853, jusqu'en janvier 1870. Le 29 juin 1853, l'empereur lui confie la mission d'assainir et embellir Paris.
En 1857, il devient sénateur. Son titre de baron a été contesté. Comme il l'explique dans ses Mémoires, il a utilisé ce titre après son élévation au Sénat en 1857, en vertu d'un décret de Napoléon Ier qui accordait ce titre à tous les sénateurs, mais ce décret était tombé en désuétude depuis la Restauration.
Son œuvre n'en reste pas moins contestée à cause des sacrifices qu'elle a entraînés ; en outre, les méthodes employées ne s'encombrent pas de principes démocratiques. Les manœuvres financières sont bien souvent spéculatives et douteuses, ce qui nourrit le récit d'Émile Zola dans son roman La Curée.
Haussmann est destitué par le cabinet d'Émile Ollivier le 5 janvier 1870, quelques mois avant la chute de Napoléon III.
Après s'être retiré pendant quelques années à Cestas près de Bordeaux, Haussmann revient à la vie publique en étant élu député en Corse en 1877, face au député sortant, Napoléon-Jérôme Bonaparte, avec le soutien du nonce apostolique et du cardinal Guibert, archevêque de Paris. Il conserve ce mandat jusqu'en 1881 : il siège dans le groupe bonapartiste de l’Appel au peuple. Il est écarté de la vie publique en 1885 et en 1890, il perd successivement sa fille aînée et sa femme. Il consacre la fin de sa vie à la rédaction de ses Mémoires (1890-1891), un document important pour l'histoire de l'urbanisme de Paris.
Haussmann, mort le 11 janvier 1891, est enterré au cimetière du Père-Lachaise à Paris.
L'action d'Haussmann a influencé l'aménagement urbain de plusieurs villes françaises sous le Second Empire et le début de la Troisième République.
Hors de France, plusieurs capitales — Bruxelles, Rome, Barcelone, Madrid, Buenos Aires et Stockholm — s'inspirent de ses idées, avec l'ambition de devenir un nouveau Paris. Les principes haussmanniens influencent aussi Istanbul et Le Caire. Bucarest dispose d'un quartier en rupture avec la vieille ville appelé « le petit Paris ».
Giulio Berruti (born 27 September 1984) is an Italian actor, known for his roles in Monte Carlo (2011), Walking on Sunshine (2014), and Gabriel's Inferno (2020).
Giulio Berruti was born in Rome, Italy, to ophthalmologist Giuseppe Berruti of Moncalvo and lawyer Francesca Romana Reggiani. He has an older brother, Gian Luca Berruti, lieutenant colonel of the Guardia di Finanza.
After obtaining a scientific high school diploma and a professional dental technician diploma, Berruti attended the University of Rome Tor Vergata School of Dentistry, and graduated in Dentistry and dental prosthesis in 2010. He subsequently undertook the specialization in Orthodontics and achieved it in 2015.
Berruti, who is 190 cm tall, had a fashion model career while in school, walking runways and participating in several fashion campaigns, for about three years since 1998.
In 2003, he made his debut with a small role in the film The Lizzie McGuire Movie. He began rising to fame after appearing in Melissa P., La figlia di Elisa – Ritorno a Rivombrosa and Bon Appétit. In 2011, he starred in the film Monte Carlo and in 2014 he played the lead role in the musical comedy Walking on Sunshine.
Giulio Berruti published an Italian novel called "Nutshell" in 2018.
In 2019, Berruti was cast by producer Tosca Musk of Passionflix, to play the main role of Gabriel Emerson in the novel adaptation of Gabriel's Inferno.
Nasce a Roma da padre oculista e madre avvocato ed ex funzionario della Presidenza della Repubblica.
Dopo aver conseguito la maturità classica presso il Liceo Ginnasio Statale T. Lucrezio Caro e il diploma professionale di odontotecnico, si iscrive all'Università degli Studi di Roma Tor Vergata, e nel 2010 consegue la laurea in odontoiatria e protesi dentaria. Successivamente ha intrapreso la specializzazione in ortodonzia, che ha conseguito nel 2015.
Ne frattempo si dedica anche alla recitazione e frequenta corsi, tra cui il corso di Anne Strasberg e il Workshop intensivo per attori professionisti di Ivana Chubbuck.
Si avvicina al mondo dello spettacolo lavorando per tre anni come modello e partecipando agli spot pubblicitari tra cui uno diretto dal regista italiano Ferzan Özpetek
Come attore comincia da piccoli ruoli, interpreta il ruolo di Roberto nel film Melissa P. (2005), regia di Luca Guadagnino. In seguito ha un cameo nel film Scrivilo sui muri. Nel 2006 interpreta il ruolo di Thomas nella miniserie tv La freccia nera.
Tuttavia la notorietà e il successo arrivano nel 2007 grazie alla serie La figlia di Elisa - Ritorno a Rivombrosa, regia di Stefano Alleva, su Canale 5, dove interpreta il ruolo del protagonista, il marchese Andrea Van Necker.
Dal 2008 è Vicepresidente e testimonial dell'associazione culturale no profit ONLUS EFFEMERIDI che si occupa di sensibilizzazione sul tema ambientale, sanitario e dei diritti degli animali.
Nel 2016 è uno dei protagonisti sia nella serie Matrimoni e altre follie nel ruolo del cuoco Rocco Borgia e sia in Squadra antimafia - Il ritorno del boss dove interpreta il ruolo di Carlo Nigro, il nuovo vice-questore della Duomo e diventa protagonista, sostituendo Marco Bocci.
Due anni dopo, nel 2018, Berruti risalta ancora una volta grazie alla vittoria del talent show Dance Dance Dance insieme all'attrice Cristina Marino.
Nel 2019, Berruti entra nel cast del film Gabriel's Inferno, adattamento cinematografico tratto dal primo libro della trilogia omonima scritta da Sylvain Reynard. L'attore veste i panni del protagonista, il professor Gabriel Emerson. Il film è prodotto dalla nuova piattaforma americana Passionflix, ed è uscito il 29 maggio 2020.
È stato legato prima all'attrice Anna Safroncik, in seguito all'attrice Marianna Di Martino, dal 2014 a Maria Sole De Angelis e dal 2017 all'attrice Francesca Kirchmair. Attualmente è legato alla politica Maria Elena Boschi.